Since moving to Saratoga Springs in 1977, Anne Diggory has been inspired by the natural world of the Adirondacks as well as mountain landscapes encountered in her travels. She uses her artistic perspective to identify the Adirondack painting locations of artists working in past centuries and has helped several museums correct their catalogues and rename their paintings.
Her research concerning the painting location of John Frederick Kensett’s iconic “Lake George, 1869,” was recently published in the Metropolitan Museum Journal.
Additional information and images are available at diggory.com.
With a clear forecast and a plan to paddle the full circuit of Lake Placid, I decided to enhance the outing by looking for the painting viewpoints of William Trost Richards (1833-1905), who had painted there for a week in 1904.
Richards’ long career included many summers in the Elizabethtown area, and at the age of 71 he went on a Lake Placid painting trip with his daughter, the artist Anna Richards Brewster. » Continue Reading.
In my ongoing search for painting locations used by nineteenth-century artists in the Adirondacks, I have had some notable successes that have taught me about artistic choices made in the past as well as in my own work.
In one adventure, the title of the painting listed a geographic feature and I assumed that the location would be fairly easy to pinpoint. Instead I got my first lesson in the difference between what I could see on a large scale hiking map and what was there on the ground in the finer details. And so the “simple” search took two separate trips. » Continue Reading.
I have been making art inspired by the Adirondacks since the early 1980s, shortly after moving to just outside the park in Saratoga Springs. Initially my subject matter arose out of family camping and hiking trips, an invitation from a friend, or just wandering by car or canoe as I looked for a vista or close-up scene with an interesting set of juxtapositions and a compelling light.
More recently I have taken another approach on some painting trips as I look for the locations used by nineteenth century artists who depicted the Adirondacks. When I look at the actual motifs that inspired another generation of artists I have a better understanding of the choices they made to enhance or alter details. And when I paint at their locations I understand how my choices differ from theirs. The explorations are a stimulus to my own creativity in new settings. » Continue Reading.
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