This timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike soar when the slipper fits. This Enchanted Edition is based on the 1997 teleplay. Adapted for the Stage by Tom Briggs From the Teleplay by Robert L. Freedman.
As a kingdom celebrates its Prince’s decision to give a ball for the express purpose of finding a bride, Cinderella’s two stepsisters and their mother enter. This less-than-lovable trio is followed by what seems to be a large pile of packages, but in fact is Cinderella carrying the ladies’ ball gowns, frills and frou frou from a successful shopping spree. Cinderella, it becomes apparent when they arrive home, will have the formidable job of making the Stepmother and Stepsisters beautiful for the ball—in addition to her other jobs, which include cooking, sewing, cleaning, washing and everything else imaginable. Although she won’t be allowed to go to the ball herself, Cinderella is happy for the others. She always tries to be cheerful and never complains. Sometimes, however, she retreats to her “own little corner” and dreams of a more exciting life.
The Queen and King are not in complete agreement about the Prince’s ball (which should in fact be called the Queen’s ball, since it is entirely her idea). The King doesn’t want to have it at all, since it will be a great deal of trouble, a large expense, and why would a red-blooded boy want to get married in the first place? But the Queen has her heart set on it, and neither the King nor the Prince (who dreads the whole idea) can bear to disappoint her. The preparations continue.
On the night of the ball, Cinderella helps her Stepmother and Stepsisters get ready. After they leave, she sits alone in her corner and imagines what it might be like at the ball. She’s not alone for long, however, for her Godmother appear at the window. Despite this lady’s sensible looks and practical manner, she is no ordinary godmother, though Cinderella doesn’t suspect this. With help from the Godmother’s “fol-de-rol” and “fiddley dee,” Cinderella is magically transformed for the ball. Her carriage, changed from a pumpkin, drawn by horses that were mice a moment before, whisks her to the palace.
The ball is the ball that everyone remembers from their storybooks, and Cinderella is the most beautiful of Princesses. Does she captivate everyone at the palace? She does! Do she and the Prince fall in love? They do! Must she flee at midnight before her carriage changes back into a pumpkin? She must!
Please note that 3pm is the correct time, View apologizes for any confusion. Tickets are $15/$10 members/$5 children under 12 with a paid adult. Please call the View Box Office 315-369-6411 to purchase tickets with a credit card or visit View at 3273 SR 28, Old Forge, NY to purchase them by cash, check or credit card. View is a multi-arts center located at 3273 State Rt. 28 in Old Forge, NY. To learn more about View programming, including other upcoming performances, visit www.ViewArts.org or call 315-369-6411.
Photo: Colleen Pine as Cinderella and Lucas Greer as Prince Christopher.