Management of the Lake Placid Marina has decided to suspend operation of the tour boat Doris II for the 2009 summer season. According to Dan Keefe, spokesman for New York’s Office of Parks, Recreation and Historic Preservation, a Marine Unit inspector noticed “structural diminishment” to the hull during his annual visit last Thursday. The inspector advised officials at the Marina that no inspection to the vessel would take place until preliminary repairs were made. Lake Placid Marina Manager Brian Bliss characterized the damage to the 58-year old tourist attraction as chronic wear-and-tear. The structural work necessary to restore the hull to compliance was deemed prohibitively expensive. Lake Placid Marina owner Serge Lussi told the Adirondack Daily Enterprise that Doris II would not be restored to operation and that a search for a replacement has been launched. The 60-ft long craft, originally designed to carry 126 passengers, is presently stored on site. No decision has yet been made on sale or disposal of the craft.
Doris II was assembled in the spring of 1951 at George & Bliss boathouse (current site of Lake Placid Marina) on Lake Placid, from a kit of materials shipped from Bay City Boat Co. in Michigan. The purchase and construction were overseen by George & Bliss Manager Leslie Lewis and Captain Arthur Stevens, who skippered the original Doris on Lake Placid from 1903 until its retirement from service in 1950. Doris II was launched July 3, 1951 and toured her first paying customers along the 16-mile shoreline of the lake on July 12 (corrected from earlier version) of that year.
Until a replacement is found, the absence of Doris II raises the prospect of the first summer season since 1882 that Lake Placid will not float a large-capacity touring vessel. Last year The Lady of The Lake, another long-time icon of Lake Placid tourism, was removed from service. Tightened regulations following the capsizing of the Lake George tour boat Ethan Allen contributed to that retirement. A third Lake Placid tour boat of recent years, the Anna, remains on the lake under private ownership, according to Brian Bliss.
Rick Moody — author of Garden State, The Ice Storm, The Diviners and the memoir The Black Veil — will read from his most recent novel at 7 p.m. tonight at the Joan Weill Student Center of Paul Smith’s College. The event is free, sponsored by the Adirondack Center for Writing.
Kayaks are on roof racks and the Northern Forest Paddle Film Festival returns to the Lake Placid Center for the Arts at 7 p.m. Friday. There’ll be five shorts about canoeing, kayaking, waterways and the paddling life. Proceeds support the Northern Forest Canoe Trail. $8-12. April brings the spring whomp. Old-time fiddle and harmonica duo the Whompers are back in town, 7:30 Friday at BluSeed Studios, in Saranac Lake ($10). Musicians are invited to bring instruments for a second-set jam. On Saturday night, Whompers and friends play at the Red Tavern, in Duane. The place is off the grid and off the map, and the dancing goes late into the night.
In the pastoral hill country east of Glens Falls and west of Vermont, 10,000 spectators are expected to turn out Saturday and Sunday for the Tour of the Battenkill, the largest bike race in the country. Two thousand riders will blow through downtown Greenwich, Salem and Cambridge, but the real character of the race comes from remote dirt roads that have earned the event the nickname Battenkill-Roubaix, after the Paris Roubaix of France.
In Bolton Landing, Up Yonda Farm offers a guided Cabin Fever Hike at 1 p.m. Saturday. The walk winds through the farm’s trails to a vista overlooking Lake George. On Sunday the farm will offer Earth Day activities all day. $3; members free.
Monday through Thursday next week, days start warming at the greatest rate of the year. Impatient? At the Adirondack Museum at 1:30 Sunday, naturalist Ed Kanze presents “Eventually . . . the Adirondack Spring.” Free for members and kids; $5 everybody else.
On Monday the Lake Placid Center for the Arts begins a six-session life drawing course, 6-8:30 every Monday evening through May. $55. Call (518) 523-2512 to sign up. Gabriels artist Diane Leifheit runs the course. She will also offer pastel plein air evening classes beginning May 20 (sign up by May 11). The first session introduces pastels and materials, setting up to paint outdoors and mixing colors. The following four sessions will go on location around Lake Placid (weather permitting), capturing the early evening colors. $95. 6-8:30 p.m. Wednesdays, through June 17.
The Adirondack Museum has announced a new exhibit, “A Wild, Unsettled Country: Early Reflections of the Adirondacks,” which will look at the early efforts to convey the Adirondacks visually to the wider world. The exhibit will open on May 22 — meaning that year-round Adirondack Park residents should be able to catch the exhibit for free the last week of May.
The first Europeans to see the Adirondack landscape of northern New York State came to explore, to document important military operations and fortifications, or to create maps and scientifically accurate images of the terrain, flora and fauna. These early illustrations filled practical needs rather than aesthetic ones. The exhibition will showcase approximately forty paintings from the museum’s exceptional art collection, including works by Thomas Cole, John Frederick Kensett, William Havell, John Henry Dolph and James David Smillie.
Also featured are fifty of the engravings and lithographs of Adirondack landscape paintings that brought these images to a wider audience and provided many Americans with their first glimpse of the “howling wilds” that were the Adirondack Mountains.
While tourists were flocking to Saratoga Springs in the 1830s, few ventured north into the “lofty chain of granite” visible from Lake George. One guidebook described the mysterious forms as “a wild repulsive aspect.” Little was known of these yet-unnamed mountains.
In 1836, the New York State legislature authorized a survey of the state’s natural resources. Artist Charles Cromwell Ingham was asked to join geologists Ebenezer Emmons and William C. Redfield during one of the first exploratory surveys. During the trip, he painted the Great Adirondack Pass “on the spot.” The original painting will be shown in the exhibition.
The exhibit will also include photographs — stereo views and albumen prints — sold as tourist souvenirs and to armchair travelers. William James Stillman took the earliest photos in the exhibition, in 1859. These rare images are the first photographic landscape studies taken in the Adirondacks. Photos by Seneca Ray Stoddard will also be displayed.
Significant historic maps will illustrate the growth of knowledge about the Adirondack region. In 1818, it was still a mysterious “wild, barren tract . . . covered with almost impenetrable Bogs, Marshes & Ponds, and the uplands with Rocks and evergreens.” By 1870, the Adirondacks had become a tourist destination with clearly defined travel routes, hotels, beaches, and camps.
A Wild, Unsettled Country will be on exhibit in the Lynn H. Boillot Art Galleries. The space includes the Adirondack Museum Gallery Study Center — a resource for learning more about American art. In addition to a library of reference books, a touch-screen computer allows visitors to access images from the museum’s extensive fine art collection.
The Gallery Study Center will include a media space as part of the special exhibit. The documentary film “Champlain: The Lake Between” will be shown continuously. The film, part of the Lake Champlain Voyages of Discovery project, has aired on Vermont Public Television in recent months.
A Wild, Unsettled Country is not just for adults. Family-friendly elements include Looking at Art With Children, a guide for parents as they investigate the arts with youngsters; the Grand Tour Guide, a colorful and engaging map that encourages exploration of the Adirondack sites shown in the paintings; and ten different Wild About! guidebooks that urge kids to be “wild” about maps, prints, history, and more.
Photo caption: View of Caldwell, Lake George, by William Tolman Carlton, 1844. Collection of the Adirondack Museum.
For 45 years the cornerstone of any Adirondack library has been TheAdirondack Reader, compiled and edited by Paul Jamieson. The anthology, published by Macmillan in 1964, collected pivotal and perceptive accounts of how people have experienced these woods since the arrival of Europeans 400 years ago.
Any true Adirondack geek already has a copy of the Reader, but now you need another. The Adirondack Mountain Club last month published a third edition that adds 30 entries written since the second edition came out in 1982. Another reason to covet this update: pictures! A 32-page color insert of drawings, photographs, engravings and paintings spans Adirondack history, from William James Stillman and Winslow Homer to contemporary painters Laura von Rosk and Lynn Benevento. The original Reader had some black-and-white plates; the second edition had none.
It’s a hefty 544-page tome, but any book that attempts to get at the essence of the Adirondacks is going to be epic. Holdovers from earlier editions (six entries had to be cut to make room) include many “there I was” accounts, starting with Father Isaac Jogues’s 1642 description of having his fingernails bitten off by Mohawk captors (“our wounds — which for not being dressed, became putrid even to the extent of breeding worms”) and becoming the first white man to see the Adirondack interior — the first to live to tell anyway. Hard to top that kind of journey narrative, but almost every piece in the Reader commands attention. Entries weave back and forth between fiction, history, essay and poetry organized into ten subject categories Jamieson established nearly a half century ago.
Mixed in with Ralph Waldo Emerson, Francis Parkman, Robert Louis Stevenson, Theodore Dreiser and Verplanck Colvin are present-day writers Christopher Shaw, Christine Jerome, Sue Halpern, Bill McKibben, Elizabeth Folwell, Amy Godine and Philip Terrie, among others. Neal Burdick contributes an essay on the century-old silence still surrounding the question “Who Shot Orrando P. Dexter?,” a land baron hated by the locals in Santa Clara. Burdick also served as the book’s co-editor, assisting Jamieson, who died in 2006 at age 103.
“It’s still Paul’s book,” Burdick says. “I did the legwork. His name is more prominent on the cover at my request.” Jamieson approved each new writing, and many excerpts and articles were included on recommendations by other writers, Burdick adds. Burdick is editor of the Adirondack Mountain Club’s Adirondac magazine as well as a writer and poet in his own right.
More than any other book, this collection comes closest to defining the Adirondack sense of place we all feel but few can articulate. It’s as much a pleasure to read as an education, and Jamieson’s introductory sections feel prescient. He still seems very much the dean of Adirondack letters (a new edition of his classic Adirondack Canoe Waters: North Flow is also in the pipeline). Jamieson was an author, professor of English at St. Lawrence University, an advocate for Adirondack land preservation and canoe access, and an explorer of this region’s topography as well as literature.
The book is beautiful but alas blemished; sloppy proofreading has allowed typos to creep into the text, in both the older material and new additions. Further printings are planned, perhaps a paperback edition. We hope the copyediting will be brought up to the standards of the writers represented.
The Reader is $39.95 at book and outdoor supply stores, by calling 800-395-8080, or online at www.adk.org.
I received this week from John Sheehan, Director of Communications for The Adirondack Council, the following interesting history and analysis of the recent Nature Conservancy sale and what it means to the history of logging in the backcountry. I’m reprinting it here in its entirety for the information of Adirondack Almanack readers:
When the ATP Group, a private investment company that handles pension funds for the Danish government, made its first major investment in the United States Monday, its purchase of 92,000 acres of commercial forestlands from The Nature Conservancy brought to an end the era of the industrial ownership of the Adirondack Park’s vast, private backcountry. » Continue Reading.
Two important sources of local history in Tupper Lake are becoming easier to find.
Louis Simmons’s Mostly Spruce and Hemlock, the classic history of the village of Tupper Lake and town of Altamont (also called Tupper Lake since 2004), will be reissued soon. Hungry Bear Publishing is working with Tupper Lake’s Goff-Nelson Memorial Library to produce a new edition of the 1976 book.
“In more than 30 years since it was published, Louis’s book has achieved cult status in Tupper Lake,” Hungry Bear publisher Andy Flynn said in a press release.“I’ve always said that, next to the Bible, Mostly Spruce and Hemlock is the most-read book in Tupper Lake.”
Because only 2,000 copies were printed, Spruce and Hemlock has become collectible and costly. The new edition will be paperback and an index will be added. Proceeds will benefit the library.
Louis Simmons was editor of the Tupper Lake Free Press 1932-1979. He continued to write for the paper and served as Tupper Lake historian until his death in 1995. William C. Frenette, Simmons’s nephew and another Tupper native deeply fascinated by his home region, took over as historian. He also wrote an entertaining column on local life and history for the Free Press.
Frenette died in 2007 but now his “Transitions” columns can be read again at a new Web site, tltransitions.com.
Here are a few words from Bill Frenette, for the season:
“There is an old saying: ‘Spring is the reward for those who live through the winter.’ How do we know that spring has arrived? Let’s count the ways: my neighbors, Jackie and Al Smith, are back from Florida looking trim and healthy; Charlcie Delehanty has reported seeing two immature and one mature bald eagles as the river opens near the sorting gap; Jessie’s Bait Shop has stored their ice augers and hung out their “Maple Syrup For Sale” sign in front of their newly updated fishing equipment; and geese can be seen feeding happily on Mary Burns’ front lawn along the the Raquette River, recently freed of ice.”
Photograph of L.C. Maid, Charles Knox, Howard Brown and unidentified man on a boat ride. Courtesy of Goff-Nelson Memorial Library, Tupper Lake.
On Nov. 1, 1933, Mrs. Bruce Reid recorded seeing both a male and female ivory-billed woodpecker in Texas. And on May 28, 1938, Oscar McKinley Bryans observed a ruby-throated hummingbird in Michigan, noting that the birds were most common when apple trees were blooming.
These are just two of more than 6 million personal observations scribbled and preserved on notecards in government files. The cards record more than a century of information about bird migration, a veritable treasure trove for climate-change researchers because they will help them unravel the effects of climate change on bird behavior, according to Jessica Zelt, coordinator of the North American Bird Phenology Program at the USGS.
That is — once the cards are transcribed and put into a scientific database. And that’s where citizens across the country come in – the program needs help from birders and others across the nation to transcribe those cards into usable scientific information.
“These cards, once transcribed, will provide over 90 years of data, an unprecedented amount of information describing bird distributions, migration timing, and migration pathways and how they are changing,” said Zelt. “There is no other program that has the same historical depth of information that can help us understand the effect that global climate change has on bird populations across the country. When combined with current information, scientists will better understand how birds are responding to climate change and how to develop tools to help manage that change, especially for at-risk species.”
The millions of hand-scribbled cards sit in row upon row of federal green filing cabinets of ancient vintage in a modest and fittingly old office dating from before WWII. The cards contain almost all of what was known of bird distribution and natural history from the Second World War back to the later part of the 19th century, said USGS senior scientist Chan Robbins, who kept track of the cards’ whereabouts in attics and basements during the intervening years.
“When I go through the files, it is just amazing some of the stories that are recorded there,” said Jessica Zelt, who is an avid birder herself. “For example, one of our online participants recently wrote to tell me she had transcribed a migration card on purple martins by American ornithologist Margaret Morse Nice from 1926. It is exciting to see people today being linked to a piece of birding history.”
Participants recorded their name, locality and year, along with arrival and departure dates, date of abundance, and whether it was a species common in that area. Personal observations on the cards often caught the enthusiastic joy of a birder sighting a rare bird.
The collection, said Zelt, includes information on about 900 species, including some sightings of rare, extinct, or nearly extinct birds, such as the giant albatross, ivory-billed woodpecker and Carolina parakeet, birds whose very names make the hearts of avid birders go pitter-patter.
The BPP is joining efforts with the USA National Phenology Network, which has just kicked off a national program to recruit citizen scientists and professional researchers to monitor plant and animal life cycles, or phenology. The two efforts will complement each other flawlessly, with the BPP combining its expertise on historical bird data with the USA-NPN’s ongoing work to document changes in flowering, fruiting, migrations, reproduction, hibernation, and other plant and animal phenological events.
The BPP was started in 1880 by Wells W. Cooke, who wanted to broaden knowledge and understanding of migration. Eventually, famed scientist C. Hart Merriam expanded the volunteer network to include the entire United States, Canada and part of the West Indies. By the late 1880s the program had 3000 volunteers. Although the program was actively maintained by the federal government, in 1970 the program closed, until it re-opened again last year.
This program relies heavily on the participation of citizen scientists, said Zelt. It currently houses 6 million cards, which need to be scanned onto the website and then converted, solely by volunteers, into a database. Birders who want to concentrate on one particular group of birds can select that group or even a particular species.
To date, volunteers have scanned about 184,000 cards on hooded orioles, barred owls, spotted owls, scarlet tanagers, American redstarts, rose-breasted grosbeak and many other species. That leaves about 5,816,000 cards to go.
If you’d like to volunteer, visit the website. Remember that you can follow current sightings by Northern New York birders here.
Mary’s post on local traditional Irish music today inspired this list of “must have” Irish music everyone with Irish aspirations should know. Although these tunes are in no particular order, learn them and you’ll never spend St. Paddy’s alone.
Whiskey in the Jar – This classic tune is believed to have originated in the late 1600s or early 1700s. Since then it’s by been covered by The Dubliners, Thin Lizzy, Peter, Paul & Mary, Gerry Garcia and David Grisman, and Metallica. My favorite line: “I first produced my pistol, and then produced my rapier.”
Wild Colonial Boy – About 40,000 Irish convicts were transported to Australia between 1791 and 1867, many as political prisoners. There they continued to battle the British authorities as Jack Duggan does in this ditty – it doesn’t end well for Jack. My favorite line: “A terror to Australia was, the wild colonial boy” Whiskey, You’re The Devil – Whiskey leads our happy balladeer over hills and mountains. The word whiskey is an Anglicisation of the Gaelic “uisce beatha” (pronounced sort of like ishka ba) which translates as “water of life.” Today the Irish word is “craythur”; get The Pouges version. My favorite line: “Oh, whiskey you’re the devil, you’re leading me astray”
Finnegan’s Wake – James Joyce based his book in part on this song which includes the death of Tim – a hod carrier (a mason’s laborer) – and his subsequent wake at which a brawl breaks out, whiskey is spilled on Tim and he is revived. The Dropkick Murphy’s punk version is good craic. My favorite line: “You see he’d a sort of a tipplers way, but for the love for the liquor poor Tim was born. To help him on his way each day, he’d a drop of the craythur every morn.”
I Got Laid on James Joyce Grave – A Black 47 original. The band is named for the worst year of the Famine, Black 47. The song is an homage to Joyce and that says enough. My favorite line: “I Got Laid on James Joyce’s Grave, I was hoping that his genius would rub off on me.”
Wild Rover – A Traditional favorite you will hear on St. Paddy’s almost anywhere. It sounds like a proper old Irish drinking song, but in truth it is a Temperance song from the early 1800s. My favorite line “I’ve been a wild rover for many’s the year, and I spent all me money on whiskey and beer.”
James Connolly – One of my favorite songs of all time about the socialist labor leader, one time resident of Troy, NY, and commander of the Free Dublin forces during the Easter Rebellion of 1916. “With Pearce and Connolly bidding each other goodbye,” he was seriously wounded, captured, and taken to Kilmainham Jail where he was tied to a chair and executed. My favorite line: “So don’t give up your rifles boys, hold on to the dream, of a republic for the working class – economic liberty.”
Come Out Ye Black and Tans – Although Americans typically don’t know it, the half ale and half stout served as a “Black and Tan” is called a “Half and Half” in Ireland, and for good reason. The Black and Tans were a paramilitary group used to suppress revolution in Ireland in the 1920s. Their main targets were the Irish Republican Army, but they were notorious for their attacks on Irish civilians. My favorite line: “Come out ye Black and Tans, come out and fight me like a man, show your wife how you won medals out in Flanders, tell her how the IRA, made you run like hell away, from the green and lovely lanes in Killeshandra.”
Seven Drunken Nights – When The Dubliners play this song, they announce they can only sing five of the nights – the last two verses are generally considered too raunchy for the general public. If you hear them in the pub where you are, you know you are in the right place. My favorite line: “Your drunk, your drunk, you silly old fool, and still you cannot see.”
Irish Men Will Set Them Free – The beginning line – “In the jail that held McSwiney; In the prison where he died” – is all you need here, but there is more to this tale of women imprisoned for their “love of dear old Ireland.” The title is sometimes offered as “The IRA Will Set them Free.” My favorite line: “Twas the love of dear old Ireland brought them to a prison hell, but the ghosts of Pearse and Connolly, filled their lonely prison cell, Clarke and Plunkett stand beside them, McDonagh McDermott and Wolfe Tone, and all the voices of old Ireland, cry for us to bring them home.”
Nearly everyone who endures long Adirondack winters understands how important flowering houseplants and a bit of green can be to lift the spirits. An African violet on the window sill or a simple spider plant in the hall can make a difference!
Adirondack housekeepers felt the same need for “green” in a winter landscape a century ago. However, the practical challenges of indoor gardening would have been daunting. Before central heating and modern insulation — water sometimes froze at night, while overcast skies and the expense of window glass made houses perpetually dim inside. Adirondack Museum Curator Hallie Bond will present “Mountain Greenery” on March 22, 2009 at the Museum, a program on the joys and challenges of keeping houseplants at the turn of the last century. Diaries, historic photographs, and regional literature document how Adirondack women once added cheer and beauty to a long, dreary season.
Houseplants were also treasured because they provided connections to others in the community. Adirondack women cut blooms for winter weddings or funerals and shared cuttings with special friends. “Mountain Greenery” will provide an interesting footnote to the history of nineteenth century rural life and offer tips about hardy heritage houseplants for today’s indoor gardeners.
Hallie E. Bond has been Curator at the Adirondack Museum since 1987. She has written extensively on regional history and material culture including Boats and Boating in the Adirondacks, published by Syracuse University Press in 1995 and ‘A Paradise for Boys and Girls‘ Children’s Camps in the Adirondacks, Syracuse University Press, 2005.
The program is part of the museum’s popular Cabin Fever Sunday series. Held in the Auditorium, the presentation will begin promptly at 1:30 p.m. Cabin Fever Sundays are offered at no charge to museum members and children of elementary school age or younger. The fee for non-members is $5.00. Refreshments will be served. For additional information, please call the Education Department at (518) 352-7311, ext. 128 or visit the museum’s web site at www.adirondackmuseum.org.
Rich Strum, Director of Interpretation and Education at Fort Ticonderoga, will offer a program entitled “Conquest, Commerce, and Culture: 400 Years of History in the Champlain Valley” at Saranac Village at Will Rogers in Saranac Lake on Sunday, March 8, 2009.
Samuel de Champlain first saw the great expanse of Lake Champlain, the Green Mountains to the east, the Adirondacks on the west in 1609. New York State, Vermont, and the Province of Quebec are commemorating the 400th anniversary of Champlain’s explorations this year through a variety of programs and events. Strum will provide an illustrated overview of four centuries of the Champlain region’s history. He will discuss military contests for control of the vital Champlain corridor, the role the lake has played in economic growth and expansion, the lasting impact of 150 years of French dominance in the 17th and 18th centuries.
The presentation will begin at 2:00 p.m. and is offered at no charge to member sof the Adirondack Museum and children of elementary school age or younger. Free admission will be extended to all residents of Saranac Village at Will Rogers. The fee for non-members is $5.00. For additional information, please call the Education Department at (518) 352-7311, ext. 128 or visit the museum’s web site at www.adirondackmuseum.org.
Rich Strum has been the Director of Interpretation and Education at Fort Ticonderoga since 1999. He serves as North Country Regional Coordinator for New York State History Day. He is the author of Ticonderoga: Lake Champlain Steamboat, as well as two books for young readers: Causes of the American Revolution and Henry Know: Washington’s Artilleryman. He lives in Ticonderoga, N.Y. with his wife and daughters.
Hulett’s Landing on the east side of Lake George is the subject of a new Adirondack blog, The Huletts Current, and a new book by George Kapusinski whose family operates Huletts-On-Lake-George. It turns out I’m connected by marriage to the Hulett family that established Hulett’s Landing. So I thought I’d offer a little history – one that ties eastern timber rattlesnakes with an early noted librarian and explorer (now that’s a combination!) and at the same time adds a new steamship to the history of Lake George. » Continue Reading.
William Henry Harrison, our abbreviated president. Number eleven. One of only four U.S. Presidents born in February.
Longest inaugural address (about 2 hrs); shortest presidency (34 days); also shortest one hundred-day plan. Battled Native Shawnees in the Wabash Valley to accumulate their land in Ohio and (rather cynically) Indiana.
Connection to the Adirondacks: None direct (he died 51 years before the park was created). However, his nickname, Old Tippecanoe, sounds Adirondack-y and was also the name of early 20th C. Indian River guide & hunter Tippecanoe Knapp.
The Preservation League of New York State announced it’s Seven to Save for 2009. As part of New York State’s Quadricentennial celebration, the Preservation League will use its endangered properties program, Seven to Save, to support and enhance the year-long commemoration of the voyages of Henry Hudson, Robert Fulton and Samuel de Champlain. In 2009, all Seven to Save designees are located in the Hudson and Champlain Valleys – in Clinton, Columbia (2), Dutchess, Essex, New York and Rensselaer Counties.
Two are located in the Adirondacks: Gunboat Spitfire Lake Champlain, Essex and Clinton Counties (1776)
Threat: Natural, including non-native aquatic species, and vandalism. This vessel was part of the American fleet which held the British at bay for a year and contributed to the American victory at Saratoga in 1777. The Spitfire is not only the most significant underwater archeological site on the bottom of Lake Champlain, it illustrates the interconnected history of the Hudson and Champlain Valleys.
Fort Montgomery Rouse’s Point, Clinton County (1844-1872)
Threat: Deterioration, need for stabilization. Situated on the border between the United States and Canada, Island Point is where Lake Champlain enters the Richelieu River. It was first fortified in 1818 as the Northern Gateway linking the St. Lawrence and Hudson Rivers. Fort Montgomery was built in the mid-19th century and seen as a crucial fortification by Civil War strategists. This site symbolizes the shared history of these two nations.
The Preservation League will provide targeted support for these seven threatened historic resources throughout 2009, and will work with local groups to protect them. The complete list can be found here.
“We are looking forward to providing strategic attention, extra effort, and new tools to secure the future of these endangered resources for generations to come,” said Erin Tobin, the Preservation League’s eastern regional director for technical and grant programs. “We are delighted to report that through the community involvement and preservation strategies we have created together with local advocates, many significant properties have been saved.”
The Preservation League of New York State, founded in 1974, is a not-for-profit organization dedicated to the protection of New York’s diverse and rich heritage of historic buildings, districts and landscapes. From its headquarters in Albany, it provides the unified voice for historic preservation. By leading a statewide movement and sharing information and expertise, the Preservation League of New York State promotes historic preservation as a tool to revitalize the Empire State’s neighborhoods and communities.
The Wilmington Historical Society meets the first Wednesday of each month. “Open Discussions” take place at 7 p.m. (before the business portion of each regular meeting, staying is optional), and last about 45 minutes to an hour. All are invited to relate stories, bring news articles, photos or artifacts related to the topic of each meeting, or you can just come to listen.
Here is a list of Open Discussion topics for 2009: Feb. 4 (Wed.): “Restaurants in Wilmington”
March 4 (Wed.): “Gas Stations in Wilmington”
April 1 (Wed): “Industry in Wilmington”
May 6 (Wed.): “Contributions of Women in Wilmington”
June 3 (Wed.): “Wilmington Campgrounds”
July 1 (Wed.): “Whiteface Mountain and Wilmington in Literature”
August 5 (Wed.): “Wilmington and Whiteface in Art & Photographs”
September 2 (Wed): “Agriculture in Wilmington”
October 7 (Wed.): “Motels in Wilmington”
November 4 (Wed.): “Stores and Shops in Wilmington”
The Adirondacks’ largest species of venomous snake will be featured at the Wild Center in Tupper Lake this Sunday (and three more Sundays to come). The Wild Center’s resident herpetologist Frank Panaro will present a program about the timber rattlesnakes found in Adirondacks which are listed as threatened in New York and are only found in limited areas in the region.
This event brings up a little historical note from Flavius J. Cook’s 1858 Home sketches of Essex County: Ticonderoga: Elisha Belden was a near neighbor of Mr. [Gideon] SHATTUCK’s [at the south end of Trout Brook Valley – presumably in present day Hague near the Ticonderoga town line], . .closely following him in time of settlement , tastes and occupations… Father Elisha was famous for hunting rattle-snakes, which he sent from the Rattle-snake’s den near Roger’s Rock, as curiosities to various parts. The stories of his captures of that reptile with a crotched stick, and of his particular power over them, are no less wonderful than well authenticated. In one of his trips to the den, on a Sabbath afternoon, he was badly bitten, but he said “it was because the varmints did not know him, as he was dressed up and had on white stockings – they thought he was Judge [Isaac] KELLOG.” At last going out one day alone, to fill a basket with this dangerous game, the old man did not return. When found he was sitting upon the rocks, leaning back, frightfully swollen and blackened with poison – dead. A snake, cut to pieces with his jack-knife, lay by his side, with fragments of flesh, thought to be a remedy for poison, which he had applied to the bite beneath his arm, to which, it is supposed, the chafing of his side against the cover of the basket, as he carried it had let out the heads of the reptiles. It was said, as before, that a change of clothes he had lately made put it beyond the wisdom of the rattlesnakes to recognize him, and hence his power over them was lost, but a better explanation was a half empty whiskey-bottle found near the spot whose contents had so fatally palsied the truly remarkable courage and skill of the old hunter.
Rattlesnakes were once a more common sight in the Adirondacks – Elisha BElden was a well-known entertainer with rattlers on the Lake George Steamships (he was on the John Jay when it sunk, for instance). Today we have few opportunities to see these amazing animals. Frank Panaro’s presentation will also include information concerning venomous snakes and venom in general in addition to a snake handling demonstration and a chance for you to ask questions. One of the Museum’s timber rattlesnakes will be in attendance for a close up view on the special live camera that lets you see the snake closer than you would ever see one in the wild.
The Timber Rattlesnakes of the Adirondacks program will also be held on Sunday, February 22nd, March 8th, and March 22nd at 1 pm.
The Adirondack Almanack is a public forum dedicated to promoting and discussing current events, history, arts, nature and outdoor recreation and other topics of interest to the Adirondacks and its communities
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