Shakespeare in the Park is a city summer tradition. People pack a picnic and a blanket and go to their local green space to watch live drama under the trees. Now the Adirondack Lakes Center for the Arts has taken the concept to state park scale.
The Arts Center will present 45-minute outdoor productions of A Midsummer Night’s Dream at parks and beaches in twelve Adirondack towns. This regional adaptation of the play is as Elizabethan as Elizabethtown. “In the original version the nobility of a town go into the woods for a night and strip away the trappings of society and find out what it’s like to be a human being,” says Arts Center Director Stephen Svoboda. “In our production the young lovers are going to be sophisticated summer people who come up to the Adirondacks in their Gucci shoes, not expecting this rustic world. The male faries will be romanticized lumberjacks and the female fairies have a Sixties hippie feel with long flowy fabric, and really they’re sort of the embodiment of nature. Then the Mechanicals are the acting troupe in the play; in our version they’re going to be these Beatnik actors from New York City all in black with their bug spray, and since a lot of these performances will be on a lake, they’ll show up in a canoe, lost in the wilderness.”
The production is appropriate for all ages and is free. “It’s really accessible to the audience, something that our summer residents and year-round residents can relate to,” Svoboda says.
July 25th 2 pm THENDARA July 25th 7 pm TUPPER LAKE July 26th 2 pm BLUE MOUNTAIN LAKE July 26th 7 pm LONG LAKE July 28th 7 pm OLD FORGE July 29th 2 pm RAQUETTE LAKE July 30th 2 pm MINERVA July 30th 7 pm INDIAN LAKE July 31st 2 pm Hudson River Pavilion, NORTH CREEK July 31st 7 pm PAUL SMITHS/SARANAC LAKE August 1st 2 pm INLET August 1st 7 pm SPECULATOR
The State Department of Environmental Conservation (DEC) has announced that Greenhouse gas emissions will be included in New York’s environmental review of large-scale projects under a new policy that becomes effective August 17th. The new policy will apply where DEC is the lead agency under the State Environmental Quality Review Act (SEQRA). SEQRA requires that a “lead agency” identify and assess actions for their potential adverse environmental impacts, and in certain cases, develop an environmental impact statement and propose mitigation strategies. “This initiative builds on Governor Paterson’s commitment to continuing New York’s fight against climate change,” DEC Commissioner Pete Grannis said in a press release. “DEC anticipates that, more and more, the public will raise the issue of climate change in the SEQRA process, and this policy will ensure that climate change impacts are considered in a consistent and fair manner. It includes a menu of design measures that can mitigate greenhouse gas emissions, such as energy-efficient construction, use of renewable energy technology and waste reduction. While helping guide DEC staff, the policy also will help raise awareness of all the actions that can be taken to reduce greenhouse gas emissions.”
DEC has also started a process to redesign the environmental assessment forms which used in SEQRA reviews. The update of this form will include the addition of questions related to energy use and greenhouse gas emissions, among other issues according to Grannis.
The Adirondack Nature Conservancy has been the 2009 ‘Conservationist of the Year’ at their 25th Annual award ceremony at Woods Inn in Inlet. The award was presented at the Adirondack Council’s annual Forever Wild Day celebration. Adirondack Council Executive Director Brian L. Houseal stresses that while the Adirondack Council is a “vocal, politically active environmental advocacy organization that presses federal, state and local government officials to protect the Adirondack Park’s natural resources. The Conservancy is an international science-based, conservation organization that often buys land to protect it for nature and people.” » Continue Reading.
In gardening parlance, manure is pure gold. It has all the necessary ingredients for successful plant growth: nitrogen (helps plants produce the proteins necessary to build green stems, sturdy roots, and lots of leaves), phosphorus (facilitates energy movement within the plants), and potassium (regulates photosynthesis, helps move nutrients within the plants, and helps make plant proteins). In addition to the big three (NPK), manure also contains humus, a mixture of plant and animal remains that form a bulky and fibrous material that is not only nutritious for your garden, but also makes the soil a better growing medium by fluffing up heavy clays, providing food for the critters that live in the soil, and retaining moisture during times of water shortage. And yet, while some farms can’t give the stuff away, others of us have the devil’s own time trying to acquire it.
For example, I live in a very small rural town here in the mountains. If I walk down the street a few hundred feet from my house, there’s a family with a bunch of horses. I called one day to see if I could relieve them of some of their no doubt copious piles of manure. Sure…that’ll be $300 a load. Oh, and the “load” is mostly “topsoil” with a little manure throw in. I decided to look for other options.
There’s the bison farm about half an hour away, with all the free bison doo that you can cart away. Likewise, there’s the goat farm down towards Thurman – nannyberries galore, yours for the taking. Sounds great! But how do you cart away a load of manure when all you have is a Prius? Another acquaintance of mine, who raises sheep and chickens, has offered me a load of dung…sometime. I think I’ll follow up on this lead while I’m on vacation next month, maybe offering an exchange of labor for this largesse.
As I made the rounds trying to find a good source of poo for my nutrient-starved garden, I was struck by the variety of manures available within a short distance of my home: horse, bison, sheep, chicken, alpaca, goat. About the only types we don’t have nearby is cow and pig. I started to wonder, then, just how much of a difference there is between each type. I’d heard that goat droppings are a “cool” manure that can be put on the garden right away without danger of “burning” the plants, unlike horse or cow manure, which is “hot” and must age for at least six months before use. So I decided to do a little homework to see which type was best. Here are my findings.
Pig and poultry poop are very high in nitrogen. Too much nitrogen can burn your plants. If you use pig or poultry poop, you need to let it age for several months before use. Bird droppings are often quite prized by gardeners (as are bat droppings, which are also very high in nitrogen). One of the greatest inventions for utilization of poultry poop is the mobile chicken coop. This nifty device makes garden creation a snap: you set up your chickens in a location where you want a future garden. The birds spend the summer scratching up the dirt, fertilizing it, eating the bugs in it and basically turning it into a pre-fab garden plot. Next spring you relocate the birds and turn their old run into ready-to-use garden beds.
Horses and cattle (and bison) spend a lot of time grazing, and what goes in must come out. As a result their dung is very high in the fiber department, which means you will have lots of good humus if you use horse or cow manure. On the other hand, you are also likely to get a lot of weed seeds. Horse and cow manure both need to age before you can use them. The general rule is to let it rest and decompose at least six months before use. During this time you can decrease the weed seed problem if you cover your manure pile with plastic and let it really cook for those six months. My pumpkins liked the horse manure I planted them in last year, but the books say that horse and cow manure are both rather low in those essential nutrients N, P and K. You can do better, but if this is all you have available, it’ll work just fine.
Goats and sheep are prolific poopers and their dung comes in tidy little pellets (so does alpaca poop). Because of this, it breaks down quickly and easily, which means you can make use of it sooner than you can horse and cow manure. In general they have more K than horse and cow manure, but N and P are about the same. Unless… I read that if your goat droppings come from goats that are kept indoors (like milking goats often are), then you will likely get additional nitrogen in your manure load because you’ll get the goats’ urine mixed in with the hay and droppings that are mucked out of the stalls. Can you put goat or sheep dung directly in your garden without aging? Yes and no. You really should age/compost any manure first, but because the droppings of goats and sheep are small, they break down more quickly. You can put them directly in your garden, but be sure to keep them off roots and away from stems.
After doing my research, I’ve concluded that any manure I acquire will be a welcome addition to my gardens. And if some of it doesn’t have, say, quite enough K, then I can supplement with something else, like greensand. The bottom line is that you cannot keep taking nutrients out of your garden without somehow replacing them. Manures are probably the easiest source of nutrients around. So roll up your sleeves and make friends with your local farmer. Swapping some labor in exchange for a load of poo seems like a pretty fair deal to me.
Adirondack Theatre Festival will present a staged reading of Hal Corley’s new play, Brush the Summer By on Sunday July 19 and Monday, July 20 at 8pm at the Charles R. Wood Theater, 207 Glen Street (Rte. 9) in downtown Glens Falls. Corley will actively solicit feedback from the audience during a post-show discussion moderated by ATF producing artistic director, Mark Fleischer. The public discussion will help shape the script as it moves towards a full production. Tickets are $20 plus service fees and may be purchased online at www.ATFestival.org or by calling the Wood Theater Box Office at 518-874-0800. Producing Artistic Director Mark Fleischer will direct the reading. Featured in this two person script are the New York City actors Stephen Bradbury and Peggy Scott. Local audiences may remember Scott from her performance in ATF’s 2003 production of The Unexpected Man by Yazmina Reza.
In Corley’s play, a Southern divorcee on a leaf watching trip to the Adirondacks is shocked when she stumbles across a man sunbathing in the nude. Through subsequent encounters, she reluctantly succumbs to his charms. With equal parts comedy and drama, Corley explores the joy and danger of living in the moment, the challenges and rewards of forgiveness and the power and need of memory. The script addresses mature themes.
Hal Corley has developed his plays with major regional theaters, including Atlanta’s Alliance, the Dallas Theater Center, Seattle Rep, and in NYC with The Abingdon, Cherry Lane, Ensemble Studio Theater, and Urban Stages. Two plays, An Ounce of Prevention and Finding Donis Anne, have been widely performed (Syracuse Stage, Philadelphia’s Walnut Street, NYC’s Westbeth, and in LA, Boston and Charlotte, NC). Hal’s more recent productions include: Peoria, Theatre Artists Studio, Scottsdale, AZ, where he was guest-artist-in-residence in January 2009; ODD, winner of the 2007 Premiere Stages Competition, co-produced with NJ’s Kean University; The Death Bite, Theatre Artists Studio, AZ; Easter Monday, Pendragon, Saranac Lake, NY; Legion, San Francisco’s New Conservatory Theater Center; Mama and Jack Carew, Key West Theatre Festival, and In the Charge of an Angel, Stageworks, Hudson NY.
The “play-in-progress” slot has been a regular part of ATF’s summer seasons since its inception in 1995. Fostering new work is at the heart of ATF’s mission. According to Fleischer, “ATF has a long history of developing new works of theatre. While some view these projects as risky ventures with unknown titles and creators, I view this commitment to new work as a research and development. Some of our new shows have become hits, others haven’t. But no matter the success of the show at the box office, providing a stage and a forum for emerging writers and artists has helped to strengthen new voices of the American theatre.” Many of the shows ATF has helped to develop have gone on to perform in theatres not only across America, but across the globe. These shows have included Becky Mode’s Fully Committed, Bill Bower’s It Goes Without Saying and Deb Filler’s Filler Up!
One of the advantages of walking with one’s eyes cast to the ground is that one is likely to find all sorts of interesting things that exist at ground level: wildflowers, fungi, snakes, scats, tracks, bodies. Bodies? Sure – things are dying all the time in the woods, and if we are very lucky we might find them. The big question, however, is: “Why don’t we find them more often?” Believe it or not, there is a lot of competition out there for dead things. You’ve got your vertebrate scavengers, like raccoons and coyotes, vultures and ravens, which sniff out and eat tasty morsels that haven’t been dead too long. Then you have your invertebrates that are looking for a good body to eat or to use for a nursery for the kids: assorted flies, ants and beetles. Underground there are soil-dwelling fungi and bacteria that would also like their share. No carcass goes unwanted, and thank goodness.
Last summer I came across a hairy-tailed mole right outside the Visitor Center. It was obviously dead, but as I watched, it seemed to reanimate! The body was moving! My curiosity piqued, I examined the body more closely and found not one, but two beautiful black and orange beetles working furiously at the body. They turned out to be a male and a female burying beetle (Nicrophorus carolinus), one of 46 species of carrion beetles found in North America. In the amount of time it took me to go inside for the camera, they had the body partially buried. Within half an hour it was gone.
Carrion beetles come in to general varieties: Silphinae and Nicrophorinae. The major differences between these subfamilies are behavior and morphology. The Nicrophorinae are the more interesting of the two (in my opinion) because they actively bury the carcasses they find.
First, the beetles must find the deceased, which they can do from up to a mile and a half away, detecting the fine chemical scent of decay (often within an hour of death) with their antennae, which can have some pretty nifty structures. Some have knobs, others fans or combs. These antennae are highly specialized to pick up long-distance scents. Once the body is found, the male and female beetles work together to bury it. Some may carry the body a short distance for burial, while others get right to work excavating beneath the corpse, which to the observer looks like it is slowly sinking into a miniature bed of quicksand. And just to show you how clever Mother Nature is, take note that the bodies of these beetles are flat, the perfect adaptation for scooting easily underneath a carcass, thus facilitating burial.
Why do these beetles bury the carcass, where as those in the subfamily Silphinae don’t? It comes down to a matter of taste. Nicrophorinae don’t like maggots. Flies are equally adept at homing in on death and for the same reason: they want to lay their eggs on the body, providing a nutritious food source for hatching larvae. Nicrophorinae will eat fly maggots, but they don’t like it when there are too many of them. In fact, they have been known to abandon a carcass if the maggot infestation gets too high. Silphinae, on the other hand, love to eat the maggots, so they are less picky and don’t bury the body. The more the merrier.
Once the body is safely secure underground, the female burying beetle lays her eggs on it and within a couple days the eggs hatch. Here is where another defining difference between the subfamilies comes into play: the adults will feed and defend their larvae. And before you know it, the larvae grow up, pupate and become adults, ready to find carcasses of their own.
As ubiquitous and common as carrion beetles are, they are not often found by the average person. This is partly because they (the beetles) are mostly nocturnal, but also because they do their jobs well and dead bodies are not around long enough for most people to encounter them. If you really want to increase your odds of finding some carrion beetles (and they are some of the largest and most colorful of our insects), you can investigate roadkills, or you can establish an abattoir on your property. I did this successfully, albeit unintentionally, the first year I began the losing battle with rose chafers. After collecting a quart of said pests (drowned in a mason jar), I left the jar out in the sun with the lid on for several days, forgotten. When I found it, I dumped the putrifying contents out on the ground. A few days later I came across the mess of rotting chafer bodies to find it alive with carrion beetles – beautiful yellow and black specimens as large as the end of my thumb. If only I could convince them to eat the live chafers…
So let’s all give three cheers for carrion beetles…and all the other creatures that work to keep our woods, waters, roads, deserts, etc. clean and healthy. If they weren’t out there consuming the bodies of the deceased, diseases would surely run rampant, or, at the very least, the world would be a smellier place. I, for one, am happy to share the planet with them.
Coopering is the ancient art of making casks, barrels, vats, buckets, and other circular or elliptical wooden vessels bound together by hoops. Historically, wooden barrels were used for the storage and transportation of all sorts of goods. Coopering was a valuable skill. David Salvetti will demonstrate the art of coopering at the Adirondack Museum at Blue Mountain Lake on July 18, 19 and 20, 2009. The demonstration will be held in the Mark W. Potter Education Center from 10:00 a.m. until 4:00 p.m. and is included in the price of general admission. David Salvetti’s love of woodworking began at age seven – with simple projects such as birdhouses. In 2005, at the age of fourteen, woodworking became something more. The Salvetti family visited the Adirondack Museum in July of that year. The rustic furniture on exhibit fascinated David. Inspired by what he saw, Salvetti cut a sapling on the family’s property and built a twig chair. Another chair followed in 2006 – winning “Best in Show” (4-H Youth Division) at the Oswego County Fair. David entered the white birch chair in the 2007 New York State Fair, Adult Arts and Crafts competition – winning another blue ribbon. David’s prize-winning rustic chair is on display at the Adirondack Museum and will become part of the permanent collection.
David Salvetti’s exploration of traditional woodworking techniques has led him to build his own shed, making shingles to cover the structure by hand. He has learned to make watertight wooden buckets without nails, adhesives, or modern sealants. He demonstrates his skills at Fort Ontario State Historic Site in Oswego, N.Y.
Coopering is part of a summer-long series of craft and trade demonstrations at the Adirondack Museum. To see a complete listing, visit the museum’s web site www.adirondackmuseum.org and click on “Special Events.”
Photo: Wooden sap bucket, ca. 1800s. Collection of the Adirondack Museum.
Several reporters I know who have followed this issue for the past few years have come to the same conclusion: the Adirondack Park Agency would have granted a permit for these houses if the farm had applied for one; this is a battle of jurisdiction and principle between two well-lawyered parties. The reaction of the farm’s owner, former Wall Street trader Salim B. “Sandy” Lewis, to his recent state appellate court win can be found on his Web site. The APA has not commented yet. But if the reporters are right, we should see the question of whether these structures are more essentially “farm accessory” or more essentially “house” ascend to another court.
This week I’m posting from The Catskill Irish Arts Week in East Durham, NY. in a few moments I’ll be taking a class in beginner Irish guitar accompaniment. That may seem funny because I already accompany some Irish musicians but the truth is I need the fundamentals. Despite internet connection issues and cell phone service sparsity I’m attempting to give you a good overview of the activities I’ll be missing this weekend in the Adirondacks while attending this great week of all Irish music and bluegrass at Grey Fox. You have two chances to catch a band called Jatoba. On Friday they are going to be at the Monopole starting at 10 pm in Plattsburgh. Then on Saturday they’ll be at the Waterhole in Saranac Lake; a free show starts at 7pm and it’s outside on the patio. Later that night stick around for The Hospice Benefit which aside from being for a phenomenal cause will offer a variety of bands to listen and dance to. I wish I could tell you more but the bands are a mystery as of Wednesday night, however, I’m sure it’ll be worthwhile night.
The NYS Senate granted unanimous approval (58-0) today to two bills designed to help three small communities qualify for economic development and community enhancement projects through money available from the NYS Department of State and provided through the federal Coastal Resources program. If signed by Governor Paterson, the bills would grant inland waterway status to Lake Placid, Mirror Lake and the Little River in the Town of Franklin.
According to the Adirondack Council’s John Sheehan, “these programs encourage comprehensive planning and sustainable economic development, especially projects that also help to protect water quality and other natural resources. Businesses and residents will be eligible for state and federal matching funds for business development and community beautification/revitalization programs.” » Continue Reading.
The Adirondack Park Agency (APA) will hold a legislative hearing on Tuesday, July 28, 2009 at the Forestport Town Hall on a proposed widening and improvement of a ten mile stretch of Route 28 from Route 12 (in Forestport, Oneida County) to the Moose River in the Town of Webb (Herkimer County). The project sponsors, NYSDOT and National Grid, will also be there to answer questions or address concerns about the design of the project. APA staff will be available to discuss the permitting process. The legislative hearing will start at 6:15pm. Here is a description of the project and other details on the meeting which were supplied by the APA:
The project begins approximately 6 miles north of the intersection of Routes 12 and 28 in Alder Creek and terminates at the Moose River in McKeever for a total project length of approximately 10.3 miles. The project consists of resurfacing a section from the southerly limit of the project for a length of approximately 2 miles; a reconstruction section for approximately 2.5 miles through Woodgate and a portion of White Lake; resurfacing a section with minor widening for a length of approximately 1.5 miles through a portion of White Lake; and resurfacing a section for the remainder of the project for a length of approximately 4.5 miles through Otter Lake to the Moose River in the Town of Webb. There will be utility relocations throughout the reconstruction section to provide a minimum offset from the edge of travel lane of 16 feet. There will be additional isolated utility pole relocations within the resurfacing sections to provide the same 16 foot offset.
PURPOSE OF MEETING: This is an informal legislative hearing conducted by the Adirondack Park Agency pursuant to APA Act section 804(6) to receive public comment on the proposed project. The hearing will include introductory presentations on the project design by the NYS Department of Transportation and National Grid. Agency staff will take notes on the public comment. Comments may be submitted by verbal statements during the hearing or by submitting a written statement. Agency Board Members and Designees may be present to hear the public comments. The Agency Board will make its decision on the project at one of its monthly meetings at some time in the near future.
GOAL OF THE MEETING: To allow the public to express concerns regarding this proposed project and how it may positively or negatively impact individual properties or the community.
MEETING FORMAT: NYSDOT, National Grid and APA personnel will be available from 5:30 to 6:15, prior to the formal presentation, to address any questions or concerns that individuals may have about the design of the project or the APA permitting process. At 6:15 APA Deputy Director Mark Sengenberger will commence the formal portion of the hearing. He will introduce NYSDOT and National Grid personnel who will make brief presentations concerning the project objectives, scope, schedule and cost. During the presentations, the public can ask questions for clarification purposes only. Following the presentations, members of the public will have the opportunity to make brief verbal statements about the project. There will be a sign up sheet for any persons wishing to make public comment. In order to allow everyone to speak who wants to, comments will be limited to no more than 3 minutes in length and speakers will go in the order that they signed up. Members of the public can provide additional written comments to the Agency at or after the meeting. Town of Forestport and Town of Webb officials will be present and introduced at the meeting.
The Adirondack region’s local energy bill is more than $600 million a year. Add in gasoline and the number soars past $1.5 billion a year. A new initiative seeks to cut that cost, and use the savings to help the region’s economy. The details of the region’s energy use are included in a new report, entitled the Adirondack Energy & Greenhouse Gas Inventory, that breaks down energy production and consumption. It details how money spent on energy flows out of the Adirondacks, draining resources from the local economy. The report, documenting the entire Adirondack region, is one of the largest regional energy and carbon audits ever produced in the United States. “We’re interested in getting our hands on these numbers because we want to see how we could use the projected major changes in national and state energy policies to help build our regional economy,” said Ross Whaley former President of SUNY ESF. “If we could save just 10 percent of what we spend importing the energy we use locally we’d have $60 million more dollars a year that we could invest in the Adirondacks.”
The report was supported in part by The Wild Center and ADKCAP, a new initiative that says its goals are to channel federal and state efforts into the region to improve energy efficiency, support regional programs formed to help cut energy costs and waste, and create or save higher-value jobs that could have a lasting impact on the Adirondack economy. A year in the making, the final report that its backers say could lead to tackling energy waste and carbon pollution in the Adirondacks, is now available online http://www.adkcap.org/?q=audit.
Highlights? The report shows some big collective numbers. Almost 490 million gallons of gasoline are used to power vehicles in the region, more than 35 million gallons of fuel oil and kerosene and over 10 million gallons of LPG are used to heat area homes and hot water. Residential users inside the Adirondacks spend more than $25 million a year on electricity to heat their homes and $135 million a year on electricity for things other than heat, like running refrigerators and lights.
“When you become cognizant of the energy dollars being spent in the Adirondacks each year, one quickly realizes that we need to find an approach to keep some of those dollars here,” said Brian Towers of the Adirondack Association of Towns and Villages. “Obviously community leaders from around the region need to investigate every avenue from small hydroelectric, solar and wind projects to looking at ways of reducing municipal energy costs with bio-fuels. Any way that we can cut public energy costs has a correlating effect on property taxes.”
The report was prepared by leading research firm Ecology and Environment, Inc. of Lancaster, NY. It was commissioned to create a baseline for looking at energy consumption in the area and dovetailed with the strong interest of a number of area groups who were looking at the Adirondacks as a potential large-scale example of how a region could address carbon dependence and grow its economy. “The national conference held here was about how the United States needs to transition away from carbon as our main energy source. With this transition comes opportunity if we act fast,” said Stephanie Ratcliffe of The Wild Center. “It started people talking about putting the idea of aggressively implementing energy efficiency and developing new renewable energy sources here in the Adirondacks. This is one of the few times that environmental concerns and economic opportunities share the same goals from the outset.”
The Adirondacks as an Example for the Nation
“We think we have a chance to set an example for the nation,” said Kate Fish of ADKCAP. “If we can show that you can cut energy costs in a big way, and use the money to grow your economy, others can learn from what we do. We are a region of 103 living, breathing and working towns and villages with challenges a lot of other places can relate to. Making this happen here could mean a lot for people all over the U.S. who are wrestling with high costs of energy, and the need to rebuild their economies.”
Fish and others say the Adirondacks’ New York location and high visitation make it an attractive place for other organizations, including power companies, who are looking to test efficiency and renewable ideas. “We can be the first place to take on energy independence across a large area. If we can show that 103 regular towns and villages can break the grip of energy dependence and build our local economies in a sustainable way we could demonstrate something important to others,” said Fish.
ADKCAP, an umbrella group, formed after the ‘American Response to Climate Change Conference -The Adirondack Model’ held in November of 2008 at The Wild Center, is working with partner organizations and individuals to build on a variety of plans to turn energy savings into local benefits. Based on data in the report that shows that one third of all the energy used locally in the Adirondacks comes from home heating, a number of partners are focusing on getting effective region-wide access to programs designed to cut home heating and utility costs, including training a skilled energy audit and retrofit workforce. The initial actions being considered would also include logical uses of renewable sources including testing of new low emissions wood gasification systems that could use sustainably harvested local forest products. The development of a forest products-based energy system could also mean local jobs. Other local energy sources could include sun, wind and hydro, including small-scale hydro that could take advantage of standing local dams.
Groups involved with ADKCAP say that new job creation could encourage younger families to stay in the area, reversing the aging-population trend in upstate New York. “It has been demonstrated conclusively that one of the greatest home energy savers is preventing air infiltration. This can be a low-cost, high yield effort. Next, is improving the efficiency of the furnaces and boilers. Green home energy saving really is possible for everyone,” said Alan Hipps, Executive Director of Housing Assistance Program of Essex County. “Those are simple examples of how we can cut energy costs and create jobs at the same time.”
The renewable energy industry generated about 500,000 jobs and $43 billion revenue in the U.S. in 2007. The much broader energy-efficiency industry generated 8.6 million jobs and $1 trillion in revenue, according to a report issued in January by the American Solar Energy Society. The national study projected that the renewable and energy efficiency businesses could employ 16 million to 37 million people by 2030, depending on government policy.
“We need new jobs here, good jobs, and jobs that let us keep our natural character,” said Ann Heidenreich of Community Energy Services of Canton, NY. “We’re going to need to solve energy challenges one way or another, and this report gives us some of the basic tools to do the smartest thing, and be more in control of our future.”
Mike DeWein, an expert on regional energy issues and a member of the ADKCAP and Energy $mart Park Initiative (E$PI) steering committees, says the Adirondacks could do well by getting out ahead on energy efficiency issues. “We know the energy world is going to change in significant ways in the next 20 years, particularly because of national trends and policies going into effect in current state and Federal legislation. Places that get ahead of the curve will benefit, and the report sets the groundwork for the Adirondacks by moving initiatives and programs and being ready to benefit from those policies, as well as be ready for funding opportunities.” DeWein cited the internet revolution as an example. “Often when something big is happening it pays to “start the train down the track” to be ready for the opportunities rather than sit on the rail siding waiting for the train.”
The report was prepared for The Wild Center and ADKCAP, in consultation with The Adirondack Energy $mart Initiative (E$PI), by Ecology and Environment, Inc and with key contributions from Dr. Colin Beier of SUNY College of Environmental Science and Forestry. The report was funded by the Adirondack Community Trust – Master Family Fund.
NOTE: This post is a reprint of the ADKCAP and Wild Center’s press release.
The Adirondack History Center Museum in Elizabthetown is presenting the annual Bits and Pieces Festival, From the Center of the World: A Celebration of Lake Champlain, beginning Friday, July 17 at 11:00 am. An inter-generational group of actors takes on 400 years of history with reflections on the Quadricentennial. Five production dates are scheduled: three Fridays at 11:00am on July 17, 24, 31 and two Sundays at 4:00pm on July 26 and August 2.
The performance project has been created in collaboration with the Depot Theatre, the Westport Central School and the Westport Heritage Festival. It focuses on seven pivotal moments in Lake Champlain history that have global significance. The moments are depicted through fictional characters using soliloquies to explore their personal connections to each event, the changing landscape, and the curious process of human “discovery.” The production moves the audience through and around the museum. » Continue Reading.
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