The 2020 Adirondack Quad-County Decentralization Grant Program for Art and Cultural Programs has been announced for Clinton, Essex, Franklin, and Hamilton Counties.
The Decentralization Program was developed to help ensure that New York State’s cultural funding reaches every part of the state. Decentralization funds are regranted locally by regional arts agencies at the invitation of the New York State Council on the Arts (NYSCA). » Continue Reading.
That place where the Moon goes from whole to slithered, bites of dust, smiles of yellow rock, strange toenail shapes amidst a royal navy blue canvas of stars, growing dimmer the closer they are.
Just hidden enough to be found in the bushes, sea urchin green, springing up as coverage for all the earthlings which do not sleep
In front of a thousand oaks, a family of Whitetail Deer, each resting on a pod of grass indented like the forehead of an infant. There is a nakedness to this ritual, a non-terrestriality, signs of the Creator’s indivisibility.
A place where deer sleep. Beside the specter of daffodils blooming in untimely silences, made of atoms, bones held by the same basic power source of gravitational waves that only deer listen to.
Wrapped together for some reason, around the Sun, stretching out into space, atomic reactions to the night. From sunrise to sunset, turning away from the hours traveling across the sky.
Adirondack Experience, the Museum on Blue Mountain Lake, is set to bring artists, artisans, musicians, traditional crafters, and contemporary makers to the campus for its sixth annual Made in the Adirondacks North Country Fair on Saturday, July 20th from 10 am to 5 pm. » Continue Reading.
Harlem-based Mwenso & the Shakes and Brooklyn-based Alsarah & the Nubatones will be the headlining performers at the 2019 Adirondack Global Arts Festival in Lake Placid March 7-9th.
The Adirondack Global Arts Festival is an annual community event that was created with the purpose of promoting culturally diverse arts programming in the Adirondacks. The festival this year includes opportunities for the whole family to engage in exploring world culture and arts. » Continue Reading.
The Town of Indian Lake Chamber of Commerce has announced the 8th Annual Craft Show, held during the Town of Indian Lake’s President’s Week Snocade. The Craft Show is Saturday, February 16th, 2019 from 10 am to 4 pm.
The Annual Tricky Tray will kick off the day, followed by numerous indoor and outdoor activities including, Snocade Craft Show, Firemen’s Breakfast, the popular torchlight skiing with fireworks and more. There will be events to appeal to every member of the family from Human Foosball, Frisbee golf, snowmobile time trails to snowshoe hikes, along with fun indoor events like a book and cookie sale, Pickleball, and Movies at the Indian Lake Theater. » Continue Reading.
High school students from across the region have been invited to submit their best works of digital art for North Country Community College’s first-ever Digital Art Show.
The juried show will take place at the college’s Saranac Lake campus December 3 to January 11. A reception and awards ceremony for students will be held from 11 am to 1 pm December 7. » Continue Reading.
In the mid-1850s, John Casilear’s career of more than 30 years as an engraver was gradually coming to an end, leaving him financially comfortable and free to focus on painting. He did just that by taking a second trip to Europe in 1857 to compile a fresh collection of ideas and sketches for future subjects, and to paint. While he was away, pieces of his artwork appeared in the 1858 National Academy of Design (NAD) Exhibition in New York City and earned praise from high sources.
Harper’s Weekly glowed: “Mr. Casilear’s power is in exquisitely delicate, vignette-like sketching…. A dreamy tranquility of atmosphere, with delicate-hued hills, a thoughtful spire, a gleaming brook — beauty in repose, and in detail — these are the subjects in whose delineation Mr. Casilear is so eminently successful.” » Continue Reading.
The 19th century paintings and photographs of Keene Valley inspired artists to seek out the depicted images of Nature and experience it for themselves. A number of years ago I fell under the same spell when I looked at the artistic interpretations of the High Peaks as seen from the Ausable Lakes.
Seneca Ray Stoddard (1844-1917) made many photographs of those lakes, including at least two of the view of Gothics and Sawteeth, with and without people. In the version with the boats, the people float within the reflections of the mountains. Stoddard’s guidebook, The Adirondacks: Illustrated, published in 1873 and was reprinted for many years, attracting more visitors to the Adirondacks. » Continue Reading.
Notable American engraver John Casilear took on various projects, including vignettes for book illustrations. In 1839, he worked on the designs for The Token and Atlantic Souvenir, an annual gift book whose contributors at the time included Nathaniel Hawthorne. But in 1840 he embarked on a new adventure, assuming the life of a painter, which began with a trip to Europe to sketch scenery and study the work of the Old Masters.
His companions on the journey were portrait artist Thomas Rossiter and Casilear’s two best friends, John Kensett and Asher Durand. All would one day be identified as artists of the Hudson River School.
They traveled on the world’s largest steamship, the British Queen, and spent much of their time in the countryside on sketching trips, plus viewing the works of European artists at every opportunity. Among the cities they visited were London, Rome, and Paris. Experts later noted the influence of France’s Claude Lorrain as evident in many of Casilear’s landscapes. » Continue Reading.
Artistry — in terms of painting, drawing, sketching, etc. — escapes me. While I admire and enjoy it, the combination of vision, creativity, and especially ability seems foreign, even though I lived with it while growing up. Through learning to read and constantly employing skills in that area, I gradually developed a certain comfort in the world of words, but none of it came to me magically, which is how I viewed the artistic capabilities of two of my siblings: without any lessons or instructions, they could just do it. » Continue Reading.
This year’s Essex County Arts and Crafts Festivals have been set for Friday, July 6th, at the Essex County Fairgrounds (at the start of Westport’s July 4th weekend celebrations) and on Wednesday, August 1, a mid-week event at the height of the summer season.
Fine artists and craft artists from across Essex County and the neighboring region are invited to display and offer to sell their work. Attendees are expected from more than 2o states. » Continue Reading.
In early 1897, Neil and Stella Litchfield continued touring in the North Country, appearing at Canton, Chase Mills, Edwards, Lisbon Center, Oxbow, Massena, Morristown, Ogdensburg, Waddington, and other sites. For the next two years, they toured and performed while developing a new act for the future, a comedy sketch titled Down at Brook Farm. Ostensibly, it was loosely based on Brook Farm, a failed Utopian community founded in 1841 in Roxbury, Massachusetts.
The most popular characters Neil had portrayed during the past two decades — uneducated, pure-hearted rural folks — became the nucleus of the new act. Down at Brook Farm was inspired by the popularity of other plays and sketches with “uncle” characters in the title — usually Uncle Josh, at the time featured in shows as Uncle Josh Jenkins, Uncle Josh Simpkins, and Uncle Josh Weathersby. Neil himself gained great praise for portraying the lead role in Uncle Josh Spruceby, playing alongside Stella, who nabbed the second-leading role of Aunt Jerutha. Together they made the show a top hit while touring theaters and opera houses in New York City, Massachusetts, Pennsylvania, Ohio, Indiana, and Kentucky. Sometimes they covered a venue for three consecutive nights, and at other times appeared in three or four different towns or cities during the same week. It was an exhausting schedule but provided great publicity, and allowed time to refine the rural characters for the new act. » Continue Reading.
By 1893, Neil Litchfield and his wife Hattie had resumed touring with other companies that billed Neil as “The Man of Many Faces.” After spending the year with the Vivian De Monto Company, they joined the Reno and Ford Company for the first half of 1894. In August they began touring the eastern and midwestern states with the Prima Donna Company, during which time Neil began to stand out noticeably from his fellow performers. Reviews in Ohio, New York, and Pennsylvania agreed with the Syracuse Evening Herald’s assessment that, despite great work by the show’s star, Eva Mecusker, “The most enjoyable thing of the evening was the recitation work of Neil Litchfield, whose ability as a comedian is large and could be employed more than it is with advantage.” A reporter for the Youngstown Daily Telegram wrote, “Neil Litchfield, as the ruralist, was the star of the show. His work was clever, and the reception he got was deserved.”
Late in the year, he performed with James B. Mackie’s company, The Side Show, and received rave reviews. As a budding star, he no longer needed to jump at the next offer, and instead began advertising his services to the highest bidder. In 1895, Litchfield announced his availability in major trade magazines and the entertainment sections of New York City newspapers. That summer, he toured coast to coast with Heywood’s Celebrities company, which provided ample opportunity to test new characters and refine other bits. A few months later, he joined another group, the Alhambra Vaudevilles. As reported in the New York Dramatic Mirror, “Carter, the magician, and Neil Litchfield, the character impersonator, are the leading people in the company.” » Continue Reading.
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