The Hyde Collection museum in Glens Falls has announced its 2018 exhibition schedule.
The lineup offers modern art exhibited in Feibes & Schmitt Gallery, including the lines of Art Nouveau, graphic prints from an Adirondack artist, the works of female Impressionists, the annual High School Juried Show, and a showing of the Nuremberg Chronicle from the permanent collection. » Continue Reading.
The Hyde Collection has announced the third year of its Pay as you Wish program. Throughout the month of December, visitors are invited to tour the Museum, interact with the collection and exhibitions, and then make a voluntary donation based on their experiences.
The program was developed to celebrate the Museum, historic home, and world-class art collection with the community while gaining visitor feedback. » Continue Reading.
When Vincent van Gogh met Henri de Toulouse-Lautrec in Paris in 1886, the friends defied convention, challenging the established definition of art. Their idiosyncratic focus on line and color will be displayed in Deux Enfants Terribles, an exhibition from the permanent collection in the Rotunda Gallery at The Hyde Collection.
The exhibition includes van Gogh’s Orchard with Arles in the Background, The Hyde’s only work by the Dutch artist. Van Gogh employed a variety of pen strokes to imbue the scene with a sense of spring’s arrival in a dormant Mediterranean fruit orchard. A few dots from a reed pen indicate the first appearance of buds. Below, the grass, rendered in short vertical strokes begins to grow again; pinwheel strokes denote the flowering of dandelions. » Continue Reading.
The Hyde Collection in Glens Falls has announced they will open a new exhibition on American Folk art, titled A Shared Legacy: Folk Art in America on Sunday, October 8. The exhibition comprises more than sixty works made between 1800 and 1925, from the collection of Barbara L. Gordon. This exhibition will be on view in Charles R. Wood, Hoopes, and Whitney-Renz galleries. The exhibit will run through Sunday, December 31.
A Shared Legacy celebrates art rooted in personal and cultural identity, made by artists who were either self-taught or had received minimal formal training. Created for ordinary people rather than society’s upper classes, folk art was the prevalent art form in the United States for more than a century. » Continue Reading.
The Hyde Collection Board of Trustees has announced that Erin B. Coe will leave the position of Museum director later this summer to accept a position as Director of the Palmer Museum of Art at Penn State University.
A national search is expected to be conducted for a new director. Coe will leave The Hyde in late July.
The board also announced that Anne Saile, non-profit CEO and founder of business development and leadership consulting firm The Saile Group LLC, has been named interim director.
Coe helped The Hyde secure one of the largest gifts in its history, $11 million in modern art and cash from Schenectady architect Werner Feibes and his late partner, James Schmitt. She then led a campaign to raise $500,000 more in private contributions and foundation support to expand the museum and build a new gallery to showcase modern art, the first new exhibition space at The Hyde in more than 28 years. » Continue Reading.
The Hyde Collection in Glens Falls has acquired a watercolor by the leading early American Modernist John Marin (1872-1953) titled “Lake George.” The painting, which depicts a view from Bolton Landing, was purchased at Sotheby’s auction house in June with support from the Museum’s Charles R. Wood Acquisition Fund, and it marks the first major outright purchase of a work of art by The Hyde in a generation.
It is also the first work by John Marin to enter the permanent collection. Marin was a major figure in early American Modernism, best known for his inventive watercolors. His work is held in private collections and prestigious museums including the Metropolitan Museum of Art, Museum of Modern Art, San Francisco Museum of Modern Art, Brooklyn Museum, Dallas Museum of Art, Blanton Museum of Art, and the Art Institute of Chicago. » Continue Reading.
The Hyde Collection in Glens Falls has announced that in mid-March it will begin a set of renovation projects designed to enhance the visitor experience and display more art from the permanent collection. Work is planned for the lobby and admissions area, to improve access to technology throughout campus, and to convert its museum shop into additional gallery space.
These projects are part of the final phase of The Marquee Project, a capital campaign the Museum began in 2010, that has so far added landscaping and sidewalks, exterior lighting, and upgraded the museums sprinkler system. » Continue Reading.
With upcoming presentations in Blue Mountain Lake and Glens Falls, the Adirondack Museum’s “Cabin Fever Sundays” series continues to present explorations of Adirondack history, music, and culture. Still to come are a wide variety of engaging topics, from the behavior of wolves in the wild to the experiences of Abenaki families in the Adirondacks.
In the upcoming installment of the series, folk musician and Long Lake local Alex Smith will perform his contemporary rendition of mountain music, inspired by the Adirondacks. “Mountain Folk Music” will begin at 1:30 pm on Sunday, March 15, at The Hyde Collection, 161 Warren St., in Glens Falls. » Continue Reading.
If The Hyde Collection had ever hoped to mount an exhibition of the art of the Adirondacks, the result could not have been more comprehensive than the show that the Glens Falls museum is presenting through April 12th.
“Wild Nature: Masterworks from the Adirondack Museum,” as the title signifies, is composed solely of works within the permanent collection of the Adirondack Museum.
For those who have never visited the museum in Blue Mountain Lake, “Wild Nature” is an introduction both to master works of American art depicting the landscape of the Adirondacks and to the museum itself, which is closed in the off-season. » Continue Reading.
Joseph Beuy’s 1970 ‘Felt Suit’ – a piece of art that is, literally, a suit made of felt, mounted on a wall by a coat hanger – is by now a cultural artifact of such prominence that in “An Object of Beauty,” comedian Steve Martin’s recent novel about the New York art world, a wealthy collector is portrayed as frivolous largely through his ownership of one of them.
Beuys created one hundred of the suits, one of which was acquired by the Norton Museum of Art in West Palm Beach and is included in its traveling show, Objects of Wonder and Delight, now installed at The Hyde Collection in Glens Falls until April 21. At first glance, the decision to include Felt Suit in the exhibition, surrounded, as it is, by paintings by Chagall, Courbet, Matisse, Picasso, O’Keeffe and Warhol, among others, may seem like an eccentric one
But David Setford, The Hyde’s director (who was the Norton’s chief curator from 1990 to 1999) makes a good case for its presence here.
“Beuys, a German air force gunner during World War II, claimed that he was shot down over central Asia, where he was rescued by Tartars who wrapped his body in felt. Like every artist who works in the still life genre, he takes an object and imbues it with spirituality, with an awareness that in life there’s death, and in death, life,” Setford said during a recent tour of the show.
That baroque sensibility is obviously more apparent in works like the 17th century painter Daniel Segher’s decaying flowers, in Matisse’s dead fish and even in the joyous 1916 still life of a Portuguese breakfast by Robert Delaunay. That’s one of Setford’s favorite pieces in the show, not only because it reminds him of the Mediterranean, but because its depictions of fruit are harbingers of abstraction.
Objects of Wonder has been promoted as something of a historical survey of the still life genre, including, as it does, four centuries of still life from the Ming dynasty of China to the present.
But that description doesn’t do justice to the exhibition, which is organized thematically rather than chronologically, or to the astonishing, dizzying quality of every single piece that’s gathered here.
Take, for example, the cubist guitar of Picasso. “Whenever I look at this, I don’t just see planes and boards; the colors are like guitar chords. I can hear the jangly sounds, and not just those sounds, but a deep mellifluousness,” said Setford.
For those interested in American modernism, highlights of the show will include works by Demuth, Sheeler, O’Keeffe and Milton Avery.
This show has been described as candy for the eye, and rightly so. Far from being an exercise in art history, Objects of Wonder is an opportunity to spend time with masterpieces we’re unlikely to ever see again in upstate New York.
“Objects of Wonder and Delight: Four Centuries of Still Life from the Norton Museum of Art,” fifty-one works of art from the collection of the Norton Museum of Art in West Palm Beach, Florida, will remain on view at The Hyde Collection in Glens Falls through April 21. The Hyde Collection is open Tuesday through Friday, from 11am to 4pm and on weekends from 12 to 5pm. Call 792-1761 for more information. Images: Joseph Beuys, Felt Suit, 1970; Marsden Hartley, Flounders and Blue Fish, 1942; Daniel Seghers A Garland of Pink Roses, circa 1645.
On January 29, the The Hyde Collection in Glens Falls opens its latest exhibition – Objects of Wonder and Delight: Four Centuries of Still Life from the Norton Museum of Art.
The show brings together fifty-one works of art from the collection of the Norton Museum of Art in West Palm Beach, Florida. The subject matter is still life and the exhibition at The Hyde comprises works in a variety of media including painting, watercolor, collage, sculpture, ceramics, glass, and textiles.
Spanning four centuries, from the Ming dynasty of China to the early twenty-first century, this array of images and objects includes all of the major sub-genres of still life such as tabletop arrangements, flowers, and fruits and vegetables. Arranged thematically, the exhibition illustrates both the diversity and the longevity of the still-life tradition in China, Europe, and the United States. The exhibition, which runs through April 21, 2011, features some of the most famous artists in Western art history, such as Marc Chagall, Gustave Courbet, William Harnett, Robert Mapplethorpe, Henri Matisse, Pablo Picasso, Georgia O’Keeffe, Yinka Shonibare, and Andy Warhol.
At 2:30 pm on January 29th, Dr. Roger Ward, chief curator of the Norton Museum of Art and organizer of the exhibition, Objects of Wonder and Delight, will provide a lively presentation entitled Birds Pecking at Grapes and Other Shiny Objects: Four Centuries of Still Life from the Norton Museum. The talk will be a fast-paced account of the evolution of still-life painting in Europe and America, from Antiquity to the present, and how the diverse collection for which he is responsible has been deployed to create this exhibition.
The exhibition was organized by the Norton Museum of Art, West Palm Beach, Florida.
Illustration: Marsden Hartley (American, 1877–1943): Flounders and Blue Fish, 1942. Oil on rag board. Norton Museum of Art, West Palm Beach, Florida. Bequest of R.H. Norton.
Enter the Hyde Collection’s Charles R. Wood Gallery, where the stunning new exhibition, “An Enduring Legacy: American Impressionist Paintings from the Thomas Clark Collection,” is displayed, and among the first things you’ll notice is that the paintings are grouped roughly by geography, or according to the regions depicted by these early 20th century artists: the New England coast, Vermont, the Hudson Valley, California.
Far from being arbitrary or eccentric, that curatorial choice cleverly elucidates an intention shared by almost every artist represented in the show. These American Impressionists, explains curator Erin Coe, “were deeply committed to making art that reflected the spirit of America and its distinctive scenery.”
Or, as Coe writes in the catalogue that accompanies the exhibition, “the landscape painters of the first third of the twentieth century were overtly nationalistic in their outlook, seeking to create a more authentic American variant of Impressionism…”
To realize that ambition, those artists were compelled to train their eyes on a particular region, if only because the American landscape is defined by its diversity and lack of uniformity. An American landscape is necessarily a local landscape.
“The works in the Clark Collection offer a comprehensive treatment of these regional schools of Impressionist activity in America,” says Coe.
For instance, the show includes three paintings by Arthur James Emery Powell (1864-1956) of the long-settled, deeply cultivated valleys of Dutchess County.
All three portray winter landscapes, for reasons at least partially explained by Coe in a lecture she delivered at The Hyde on January 17.
Winter landscapes, she said, are “the visual equivalent of a poem by Robert Frost,” that most self-consciously regional of American poets.
Approximately one quarter of the paintings collected by Thomas Clark are winter landscapes, Coe noted, in part because winter is the quintessential American season.
Perhaps it’s co-incidental that Dutchess county was a hotbed of anti-federalism in the 18th century, and that places like Vermont, New Hampshire and Massachusetts have shown separatist tendencies at different times in our history. It’s no co-incidence, though, that the artists included in this exhibition chose to paint in places with strong regional identities. The landscapes these artists selected for their subject matter were chosen in part because they exemplified a region’s characteristic and recognizable qualities.
But of equal, if not greater importance, Coe said, those landscapes were the locations of artists’ colonies that flourished in the early part of the 20th century in places like Old Lyme, Connecticut; Cape Ann, Massachusetts; New Hope, Pennsylvania; and Woodstock, New York, as well as in Vermont and California.
The traditions of European and American painting were transmitted through those colonies and schools, producing the unique vision that is embodied in Clark’s collection.
“These artists were the students and sketching partners of the seminal figures in the development of Impressionism in America, such as William Merritt Chase, Willard L. Metcalf, John Henry Twachtman, and Robert Henri,” Coe said.
Thomas Clark, who lives in Saratoga County, has promised to donate this collection of paintings to The Hyde, and this exhibition is to some extent a celebration of that gift.
“An Enduring Legacy: American Impressionist Landscape Paintings from the Thomas Clark Collection,” will remain on view at The Hyde through March 18.
The Hyde Collection is located at 161 Warren Street in downtown Glens Falls. For more information, call The Hyde at 792-1761.
The Hyde Collection in Glens Falls has announced its 2010 Exhibition Schedule. This year’s schedule includes American Impressionist landscape paintings, twentieth-century Modern art, a regional juried high school art show, a major exhibition of the work of Andrew Wyeth, and the museum will also play host for the first time to the long-running Artists of the Mohawk-Hudson Region, an annual juried show founded in 1936. The complete schedule from the Hyde Collection announcement is below. Through Sunday, March 28, 2010 An Enduring Legacy: American Impressionist Landscape Paintings from the Thomas Clark Collection
This exhibition presents sixty-four paintings from the private collection of Saratoga County, New York resident Thomas Clark. For twenty years, Clark has been amassing a significant group of pre-1940 American Impressionist landscape paintings with more than 100 works in the collection. Considered one of the finest private collections of this genre in upstate New York, it is testament to the enduring legacy of Impressionist painting in American art.
The collection, on public display for the first time, comprises examples from the last great generation of landscape painters who emerged during, and in the aftermath of, the American Impressionist movement (1880-1920). Many of these artists were students and/or sketching partners of the seminal figures in Impressionism in America, such as William Merritt Chase and John Henry Twachtman. The Collection offers a comprehensive treatment of the regional schools of Impressionist activity in America. Forty-seven artists are featured in the exhibition, including Walter Emerson Baum, John Joseph Enneking, Emile A. Gruppé, Hayley Lever, Frederick Mulhaupt, George Loftus Noyes, and Harry A. Vincent. The exhibition is curated by Erin Coe, chief curator and deputy director of The Hyde Collection and is accompanied by an illustrated catalogue. Clark has announced his intention to make a future donation of his remarkable collection to The Hyde where it will greatly enhance the Museum’s current holdings of American art.
Through February 28, 2010 Divided by a common language? British and American Works from the Murray Collection
Approximately twenty works of twentieth-century Modern art, donated to the Museum by the late Jane Murray, are on display in Hoopes Gallery. Works included in this exhibition were part of the first significant donation of twentieth-century art received by The Hyde and helped to form the foundation of the Museum’s Modernist holdings. Jane Murray passed away in April 2009 and bequeathed the remainder of her substantial collection to the Museum.
Curated by The Hyde’s Executive Director David F. Setford, the exhibition reflects one woman’s journey into the world of art and the creative process itself. Represented in the exhibition are British artists including Ben Nicholson, Barbara Hepworth, John Piper, Howard Hodgkin, and Paul Mount. American artists include Gregory Amenoff, American, b. 1948, Gregory Amenoff, Betty Parsons, Stuart Davis, and Ellsworth Kelly. The works selected examine the similarities and differences between American and British works of the period, as both are areas of particular strength in the Murray Murray Collection.
April 11 through May 23 Nineteenth Regional Juried High School Art Show
The Hyde proudly hosts one hundred works in various media by the best of area high school art students. Entries into the competition average approximately 1,200 per year and the top 100 works were chosen by jurors to be highlighted in this annual spring event, showcased in the Museum’s Charles R. Wood Gallery.
This unique show allows participating students to experience the preparation, submission, and jurying process crucial to their artistic development. The young artists entering the competition hail from as many as forty area schools located in Warren, Washington, Saratoga, Hamilton, and Essex counties.
June 12 through September 5 Andrew Wyeth: An American Legend
The Hyde Collection introduces the broad span of work by Andrew Wyeth in its major summer exhibition for 2010. Organized by The Hyde and curated by Executive Director David F. Setford and Deputy Director and Chief Curator Erin B. Coe in association with the Farnsworth Art Museum of Rockland, Maine, the exhibition will mark the first opportunity since the artist’s death in 2009 to begin to critically reevaluate his contribution to and position in American art of the twentieth century. Works will include pencil, watercolor, dry brush, and tempera works, and will feature sections devoted to early coastal watercolors and landscape paintings, as well as a look at Wyeth’s models, his interest in vernacular architecture, and his connection with the Regionalist tradition and Magic Realism.
The exhibition will feature approximately fifty works, with the core from the Farnsworth Art Museum. Also on view will be The Hyde’s own Wyeth – The Ledge and the Island, 1937 – and major works from Philadelphia Museum of Art, the Whitney Museum of American Art, and the Hood Museum of Art, as well as from other museums and private collections.
The Museum continues its summer collaborations with other arts organizations in the region by coordinating a series of lectures, exhibitions, and performances with Wyeth-related themes.
October 10 through December 12 Exhibition by Artists of the Mohawk-Hudson Region
For the first time, The Hyde Collection is host of the Artists of the Mohawk-Hudson Region, one of the longest-running collaborative juried exhibitions in the country. The Museum joins the Albany Institute of History and Art and the University Art Museum at the University at Albany as the third collaborative sponsor of the exhibition, which is hosted by the organizations on a rotating basis. Founded in 1936, this annual show provides a leading benchmark for contemporary art in the Upper Hudson Valley. The exhibition is open to artists residing within a 100-mile radius of either Glens Falls or the Capital District. Past jurors have included artists, curators, critics, art historians, and art dealers such as Edward Hopper (1941), George Rickey (1971), Kenneth Noland (1977), Wolf Kahn (1980), Grace Gluck (1984), Dan Cameron (1997), and Ivan Karp (2005).
For the 2010 exhibition, The Hyde has invited Charles Desmarais, the Deputy Director of Art at the Brooklyn Museum, to be the guest juror. Mr. Desmarais leads the Brooklyn Museum’s collection, conservation, education, exhibition, and library departments.
The Adirondack Almanack's contributors include veteran local writers, historians, naturalists, and outdoor enthusiasts from around the Adirondack region. The Almanack is the online news journal of Adirondack Explorer. Both are nonprofits supported by contributors, readers, and advertisers, and devoted to exploring, protecting, and unifying the Adirondack Park.
General inquiries about the Adirondack Almanack should be directed to Almanack founder and editor John Warren.
To advertise on the Adirondack Almanack, or to receive information on rates and design, please click here.