There were tough times when a lead pig died suddenly, forcing Fred Kerslake to regroup, find a new leader, and complete the training. But saddest of all was when he spoke of Jennie. In 1909, Rollo was the clown pig and a great performer. Kerslake called him “a wonder that does everything but talk, and after a fashion it actually does that,” referring to Rollo’s human-like responses to his comments.

Rollo rose to fame after the death of his mother, Jennie, a very special performer and friend. Said Fred, “She was certainly gifted with the divine light of human intelligence. Not only could she reason, but she could make her wants known with the aid of spelling blocks.” » Continue Reading.

The three mains stars hogging the limelight from Fred were pigs Jerry, Peggy, and Pete, whose antics were irresistible. Recognizing the possibilities, booking agents sought them for summer tours and winter vaudeville circuits. Rave reviews followed in Buffalo, Chicago, Philadelphia, and a host of other stops in between. Audiences couldn’t get enough of watching pigs play leapfrog, read, and count―it was both bewildering and hilarious at the same time.

Professionals were taking notice as well. Among them was Germany’s Carl Hagenbeck, who pioneered the displaying of animals in their natural habitats rather than in caged enclosures. Hagenbeck emphasized properly selecting animals with the right temperament for training or display (choosing only a few prospects from a large group), and then using what was described as “constant patience, firmness, and kindness” to train them. Still, there’s no denying that whips were used to tap or give a quick sting to an animal during training. » Continue Reading.