Posts Tagged ‘photography’

Tuesday, October 16, 2012

State Museum to Sponsor ‘Adirondack Day’

The New York State Museum will celebrate the Adirondacks and Lake Champlain on Saturday, November 3 with “Adirondack Day,” an inaugural daylong event that will complement the Museum’s exhibition on iconic Adirondack photographer Seneca Ray Stoddard.

The free event, from 10 a.m. to 4 p.m., will include a concert, lectures, displays, tours and films presented by the New York State Museum and many of the North Country’s leading educational and cultural institutions. Participating are the New York State Museum, Adirondack Museum, Adirondack Life magazine, Fort Ticonderoga, Great Camp Sagamore, John Brown Lives, Lakes to Locks Passage, Mountain Lake PBS, Paul Smith’s College, The Wild Center, and the Trudeau Institute.
» Continue Reading.


Monday, July 16, 2012

Sandy Hildreth: The Cruel Art of Nature

Great Blue Heron NestI am an artist who, like many others in our world, am inspired by the natural environment around me. In most cases it is the beauty of a place, or the subtle, interesting colors of some rocks, the freeform shape of a brook twisting through a beaver meadow, or sun glistening on a mountain summit. All pretty positive, attractive, peaceful images – the harmony of the natural world.

In a place like the Adirondacks, there are a lot of artists, writers, musicians, and more who gain inspiration from the world around them. » Continue Reading.


Thursday, May 10, 2012

Adirondack Philosophy: A Cultural Forum

We understand who we are and we imagine who we want to become by telling stories through the interrelated mediums of art, prose, music and spirituality.  The shapes that these narratives take are influenced by the places where they, and we, are rooted.  Influence is a subtle and often implicit force.  It is the stuff beyond mere representation, or the explicit reference to particular geographies (this mountain or that stream).  Influence is ephemeral and as the poet Rilke wrote, it falls on me like moonlight on a window seat. » Continue Reading.


Wednesday, May 9, 2012

Paddlers Photo Contest Deadline This Week

There are only three more days until the deadline for submissions to the Adirondack Paddlers Photo Contest.  By this Friday, May 11, photos from pond lilies to loon babies should be on their way to the contest’s Flickr site.  Start the process at Adirondack Explorer.

Mountainman Outdoor Supply Company, View, and the Adirondack Explorer are co-sponsoring the inaugural contest.  The rules are simple: photos have to have been taken in the Adirondack Park and from a canoe or kayak. » Continue Reading.


Sunday, May 6, 2012

Cabin Life: Snow on Grass

Big fat flakes of snow are blowing around outside. They seems to hover just before hitting the ground, then linger there for a few moments until they are just a plain old drop of water or two on a blade of brown grass.

Its nights like last night that make me wish I had a better camera. The sliver of moon was visible in short glimpses through dark and gray, wispy clouds. The kind of shot that your eye can see, but that my cheap digital camera would capture as a small blurry light in an otherwise black screen. No hint of clouds, no depth to the picture, and most importantly, no sense of the natural beauty that my own eyes can see. I don’t get upset when I can’t get these shots with my camera. Most of the time it’s enough just to witness the scene, but I do desire to share some of these moments.
» Continue Reading.


Sunday, April 29, 2012

Stoddard’s Natural Views Exhibit Opening May 4th

Long considered beautiful photographs of the Adirondack landscape, Seneca Ray Stoddard’s views also serve as documents of the plants that inhabited the region in the 19th century. Since he was rediscovered in the late 1970s, Stoddard’s work has been featured in numerous exhibits that explored the history of 19th century life in the Adirondacks. A survey of the 3,000 images in the Chapman Historical Museum archives, however, revealed hundreds of images that are purely natural landscapes. The subject matter is the Adirondack environment – not great hotels, steamers, camp scenes or other obvious evidence of human activity. » Continue Reading.


Saturday, April 7, 2012

Books: Johnsburg History Echoes in these Mountains

Glenn L. Pearsall’s Echoes in these Mountains, is subtitled “Historic Sites and Stories Disappearing in Johnsburg, an Adirondack Community,” but thanks to Pearsall, a tireless advocate for local history, those historic sites and stories are being remembered.

The geography of Johnsburg, the largest township in New York State, is central to Echoes in these Mountains. The book is arranged in chapters highlighting various historic sites, all with handy maps to help locate them on the landscape. That approach – locating historical stories around town on the landscape – is part of what drives Pearsall’s personal exploration of his town’s history, and what led to the answer to an interesting historical question. » Continue Reading.


Sunday, January 22, 2012

24 Hour Adirondack Student Photo Contest

The Lake Placid Institute for Arts and Humanities is inviting all high school students in the Adirondack region to participate in a visual interpretation of their surroundings in the Institute’s program: “24 Hours – A Photographic Interpretation of Life in the Adirondacks”.

Photos must be taken within the Adirondack Park, from April 14, 2011 through April 15, 2012 and represent one hour of a day in the Adirondack Park. Each photo must be accompanied by a brief description of when, where and why the artist chose to photograph that particular scene or subject.

Entries will be accepted beginning March 1, 2012 and must be postmarked or submitted on-line no later than April 15, 2012. Entries must include the photographer’s name, age, grade, the hour the photo was taken, date taken, location of the photo, type of camera used, and the name of the supervising teacher. Photos must be able to be replicated in 11” by 14” formats. Entries should be sent to: LPI24Hours@gmail.com


Tuesday, January 17, 2012

Nature Photography in Winter: A Wild Center Workshop

Capturing the Adirondacks in winter is something that only the hardiest of hikers and Adirondack photographers do. Painters will sometimes take on the weather, but the stillness of winter is really for photographers.

The days are short, the air is cold, and the light falls in slants through the bare trees. This is the time and place that belongs to Carl Heilman, II, a photographer who has been roaming the mountains for more than three decades, producing spectacular panoramas from the frozen lakeshores to the frosted tips of the peaks.

So who better to learn from? Heilman has been leading treks through the Adirondacks as long as he has been taking photographs, and through his workshops, he has shared the secrets to his wonderous photography with others who, in their own way, help to carry on the Adirondack tradition.

On January 28th, Heilman will be teaching the photography workshop, “Nature in Winter” from 9 am – 5 pm at the Wild Center in Tupper Lake. The morning will be devoted to seminar instruction and Q&A to prepare participants for an afternoon of shooting on the Wild Center property and at nearby locations.

The Wild Center workshop is $125 to members and $138 to nonmembers for the day, and includes the free use of snowshoes. Notification of other equipment and recommended clothing will be provided upon registration. Register directly by contacting Sally Gross: sgross@wildcenter.org, (518) 359-7800, ext 116.

Photo by Carl Heilman, II.

Linda J. Peckel explores the Adirondacks by following the arts wherever they take her. Her general art/writing/film/photography musings on can be found at her own blog Arts Enclave


Sunday, January 15, 2012

Exhibit of Stoddard Views Coming to Chapman Museum

Long considered beautiful photographs of the Adirondack landscape, Seneca Ray Stoddard’s views also serve well as documents of the plants that inhabited the region in the 19th century. The Glens Falls Historical Society’s Chapman Historical Museum’s summer exhibit, S.R. Stoddard’s Natural Views, which will run from May 4 through September 2, will feature fifty enlarged photographs of different Adirondack settings – lake shores, marshes, meadows, riverbanks and mountainsides. Highlighted in modern color images will be examples of the plants discovered in Stoddard’s photographs — from small flowers to shrubs and trees.

Since he was rediscovered in the late 1970s, Stoddard’s work has been featured in numerous exhibits that explored the history of 19th century life in the Adirondacks. A survey of the 3000 images in the Chapman archives, however, revealed hundreds of images that are purely natural landscapes. The subject matter is the Adirondack environment – not great hotels, steamers, camp scenes or other obvious evidence of human activity.

The summer 2012 exhibit will examine these photographs as documents of the history of ecological habitats, providing an opportunity to compare the present environment with the past. To address this issue the museum is consulting with Paul Smith’s College biologist, Daun Reuter, who will identify botanical species in Stoddard’s photographs, and exploring 19th century biological fieldwork records housed at the New York State Museum.

By bringing attention to a group of Stoddard photographs that have been overlooked but are significant examples of his work, the exhibit will give visitors the opportunity to discover and reflect on the changing environment – a topic of urgent concern in the region. Through their experience visitors will gain greater understanding not only to Stoddard’s photographic vision but also of the natural world of the Adirondacks.

Photos: Above, Silver Cascade, Elizabethtown by S.R. Stoddard, ca. 1890. Below: modern color photo of Wild Raisin by Dawn Reuter, Biology Dept., Paul Smith’s College.


Tuesday, January 10, 2012

Sandy Hildreth Visits The View’s Photo Exhibit

On my way through the Adirondacks, while traveling for the holidays, I stopped at View, the Arts Center in Old Forge, to see “Adirondack View Finders: Farb, Battaglia, Bowie, Heilman”. As I walked through the galleries of photos I kept waiting for one to jump out at me – to say “hey, this is new and different – look at me” and it wasn’t happening.

Don’t get me wrong, this is an outstanding exhibition of photographs. Nathan Farb’s work can take your breath away with the incredible details. Nancie Battaglia is exhibiting some striking sepia tone images. Mark Bowie has some low light nighttime exposures with amazing results and Carl Heilman’s panoramas pull you into the space so much you feel like you are right there with him on a mountain summit. All good – but all things I had seen before.

In adjoining galleries there are additional photographs: “Emerging Views,” featuring works by Johnathan A Esper – who sometimes climbs up big white pines to get some wonderful panoramic views; Leslie Dixon and Clark Lubbs, both of whom are showing lovely, intimate views of the natural world.

Finally, there are photos from an exhibit called “Teacher’s Turn: Instructors from the Adirondack Photography Institute.” Another batch of terrific images from Eric Dresser, Joe LeFevre, John Radigan and Carl Rubino. Here is where my inner spirit was moved. We’ve all seen cute bear cub photos, or monster buck images that make you wonder if the photographer was shooting animals contained on a game preserve. Eric Dresser’s photos seem to just take you to the place – you feel like you were stepping softly through the forest and chanced upon these animals without disturbing them. Not overly cute, nor dramatic, just a beautifully composed, captured moments in the life of wild creatures.

However the photos that made me stop and walk back to look at them again were some relatively small images perhaps in the 12×18” size, by John Radigan. Not dramatic, nor extreme in detail or view, but subtle, soft painterly moments in time. In fact they looked more like paintings than photographs – printed on lovely paper with torn edges. I thought they were something like polaroid transfer prints, but after contacting the artist, he explained that “the series of images for the View exhibit were made using an Epson archival inkjet printer on watercolor stock. The image edges were made manually using Photoshop to approximate edge effects like an acid burn, etc. The paper edges are hand torn. The images themselves were captured using various in-camera techniques such as multi-exposure, long exposure blur and image overlay. No computer tricks were used.”

This photography exhibit is definitely worth seeing for it’s breadth, depth, and excellence. And if the opportunity to wander through the Adirondacks via the captured images of all these photographers is not enough, then consider the sixty-eight pieces of native stone sculptures tastefully placed throughout the galleries by Keene Valley artist Matt Horner. Soft, organic forms of hard Adirondack rock! A final bonus is a slide show in an adjoining gallery of Nathan Farb’s striking images of the devastation of Hurricane Irene. Worth seeing as a reminder of the awesome power of nature. The overwhelming response to this natural disaster cleaned things up so quickly it’s easy to forget how bad it really was.

These exhibits will be on display until January 29 at View in Old Forge. Correction: “Adirondack Viewfinders” will remain on exhibit until March 3. Hours are Monday through Thursday, 10 – 4, Friday and Saturday from 10 – 5, and Sunday from noon to 4 pm. Admission is $10/$5 for members. 315-369-6411.


Monday, January 9, 2012

A Local Search and Rescue Makes News Photo History

In modern times, photographs accompanying newspaper stories are sent around the world in digital format, utilizing the latest technology. But for half a century, from 1935 to 1989, the Wirephoto Service of the Associated Press was the industry standard. Prior to that time, the text of stories was sent by wire, but photographs for newsprint were shipped the same way mail and other urgent items were: by train or by plane.

Even by the speediest of methods, it could take more than three days for photographs to arrive. When the dramatic advancement came in 1935 to an instant process, the Adirondacks were linked forever with communications’ history. » Continue Reading.


Wednesday, November 23, 2011

Old Forge Adirondack Photography Exhibit Opens

Nature photography is a naturally booming business in the Adirondacks, where a number of talented photographers have worked to elevate their craft to new levels. Four of the best Adirondack photographers—Nathan Farb, Mark Bowie, Nancie Battaglia, and Carl Heilman—have combined their work for a unique show, Adirondack View Finders, opening December 2nd at View in Old Forge, NY.

The View building itself is a wonderful new LEEDS-approved green venue that hosts events and workshops in a variety of arts and crafts, and offers a special home to the well developed craft of Adirondack photography.

Bowie and Heilman are both very well known in the Adirondacks and beyond for their stunning panoramic landscapes, while Battaglia has assembled an extensive portfolio of Adirondack sports and action photos and Farb brings his journalistic senses to exploring this timeless landscape. All four voices sing together in beautifully harmony to convey the majestic vision of the Adirondacks as only artists living in these mountains can.

The show also debuts new talents, including Johnathan A. Esper, Lesley Dixion, and Clark Lubbs, and features a showing of the works of the instructors at View in a special exhibit called “Teachers Turn.”

The opening reception for all of this is Friday, December 2nd from 5-7pm. On Saturday, December 3rd, Mark Bowie will present his photos and discuss techniques in “Night at North Country,” at 11:00 am. Admission to the special presentation and the entire exhibit is $10 for nonmembers and $5 for members of the View. Children under 12 are free. The show continues through March 3, 2012 for the same admission.

For more information, visit the website or call 315-369-6411.

Photos courtesy of the View at Old Forge. Above by Mark Bowie; Below by Nancie Battaglia.

Linda J. Peckel explores the Adirondacks by following the arts wherever they take her. You can read more of her general art musings (including writing, photography, film, and painting) on her blog: Arts Enclave.


Wednesday, August 10, 2011

Artists Reception: Great Camps and Rustic Lodges

The 7444 Gallery in Saranac Lake will host a ‘Meet the Artists’ opening reception Saturday, August 13 at 5 p.m. for f-Stop Fitzgerald and Richard McCaffrey. Their photographs will be on display until October 6.

The exhibit features more than 25 canvas-print photographs drawn from a book to be published by Rizzoli this fall, Adirondack Style: Great Camps and Rustic Lodges.

Adirondack Style describes the architecture, design, and natural beauty of Adirondack great camps and rustic camps. The structures make use of the materials readily available in the area — rough-hewn log exteriors that contrast with sometimes lavish and elegant interiors featuring intricate stonework and hand-carved furniture.



The book’s introduction is by Adirondack preservationist Dr. Howard Kirschenbaum; the foreward is by Laura S. Rice, chief curator of the Adirondack Museum; and text is by Adirondack Life contributors Jane Mackintosh and Lynn Woods.

Natural elements such as tree roots, twigs, and bark often played an integral part in the décor, and the simple yet elegant Adirondack chair has become an international symbol of leisure. Many camps had boathouses, teahouses, game rooms, and even bowling alleys, and several were designed by top architects of the era and incorporated their international influences: Pine Knot resembled a Swiss chalet; the architectural flourishes of Santanoni were Japanese-inspired; and The Hedges had Dutch doors.

Approximately forty of these extravagant camps survive, including ten that are National Historic Landmarks. Adirondack Style will feature thirty-seven of these camps, including Pine Knot, Uncas, and Sagamore, all of which were built for William West Durant, a pioneer of the Great Camp style; Wonundra, which was built for William Avery Rockefeller and his family; and White Pine, which President Calvin Coolidge once used as his Summer White House.

ABOUT THE PHOTOGRAPHERS:

f-Stop Fitzgerald is a noted photographer whose work has appeared in more than 100 periodicals, including Rolling Stone, GQ, Publishers Weekly, and The Village Voice. His collaboration with Stephen King, Nightmares in the Sky, was a national best seller.

Richard McCaffrey is currently staff photographer for The Providence Phoenix. He is represented by Getty Images and his work appears in numerous national and international books and publications.

7444 Gallery is on Depot Street, near Stewart’s and the train station.


Saturday, August 6, 2011

Old Forge and The Fulton Chain of Lakes

Linda Cohen and Peg Masters, both descendants of 19th-century pioneer settlers of the Old Forge region, have written Old Forge and The Fulton Chain of Lakes (Arcadia Publishing, $21.99) the latest Adirondack edition in the Images of America series. Together they compiled over 200 images from around the area, many seldom seen.

Old Forge is nestled at the foot of the Middle Branch of the Moose River, more commonly known as the Fulton Chain of Lakes. Year-round accommodations at the Forge House in 1871 and dependable rail service in 1892 led to permanent settlement of the hamlet. Within a decade, Old Forge emerged as the residential and commercial hub of the Central Adirondacks and a popular destination and gathering place for guides, sportsmen, and wilderness tourists.

For the sightseer who strolls around Old Forge today or enjoys a cruise up the eight lakes in the Fulton Chain, the landscape is dotted with scores of century-old dwellings, Victorian cottages, rustic camps, and even a few grand old hotels.

Linda Cohen has been an active member of the local historical association and a board member since 2004. Peg Masters has served as the town historian for the past 10 years and conducts historic walking tours every summer.



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