I always say I’m not in the market to buy art, but then I find myself in awe of all the talented artists and know that window shopping may not be enough. Even if I don’t buy art, I am always in the market to experience it. I love the possibility of seeing an artist in various Adirondack locations, putting creativity onto canvas. The benefit of a Plein Air Festival is in seeing those artists create in nature and then attend the art show to meet and discuss their process. » Continue Reading.
Posts Tagged ‘plein air’
AdkAction is organizing a new arts festival in Keeseville. The first Keeseville Plein Air Festival is scheduled to take place from Thursday, July 13th to Sunday, July 16th.
The arts festival will showcase Keeseville’s natural landscape and historic architecture. AdkAction hopes to attract a wide range of artists to the festival, which in turn will assist the community’s revitalization.
Mountain Air Painters have announced the beginning of their 2016 plein air season. Each year the group paints together outdoors from May through October, building a list of locations they’d like to paint. Mountain Air Paitners celebrated the end of the 2015 season with a show of their works at 5 Corners Café in Old Forge.
Mountain Air Painters are watercolor, acrylic, oil and pastel painters and photographers who get together weekly. The group includes members of all experience levels.
“We paint for a couple of hours and then display our work to give each other suggestions and ideas. It’s also a time for sharing ideas about new products, techniques, supplies and inspiration,” said Jeanne Whyte, an Inlet architect who paints watercolors. » Continue Reading.
I’ve often thought about writing down the story of how a painting develops and I just had the perfect opportunity to do that last weekend. Three solid days of clear blue skies, sunshine, rising temperatures and no bugs! A plein air “paint-out” had been organized at the Paul Smith’s College VIC and I was one of seven artists who participated. » Continue Reading.
The registration form for the 8th Annual Adirondack Plein Air Festival was posted on the Saranac Lake Art Works website at midnight on Monday, February 29th and the quota of 50 artists was reached by 7 am, March 1st. The Plein Air Festival will take place August 15-20 in Saranac Lake with artists traveling from around the eastern United States and Canada.
New York artist Frances Gaffney has been added to the workshop schedule, with “The Art of Expressive Drawing.” Participants will explore artists’ processes, build professional drawing tools and techniques and explore new ways of seeing. Drawing will be outdoors weather permitting. Registration information can be found on the Saranac Lake Art Works website. Both workshops require a $50 deposit to reserve a spot and participants do not have to be registered for the Plein Air Festival. » Continue Reading.
With a clear forecast and a plan to paddle the full circuit of Lake Placid, I decided to enhance the outing by looking for the painting viewpoints of William Trost Richards (1833-1905), who had painted there for a week in 1904.
Richards’ long career included many summers in the Elizabethtown area, and at the age of 71 he went on a Lake Placid painting trip with his daughter, the artist Anna Richards Brewster. » Continue Reading.
My own “What the Rocks Remember” and photographs by Karla Brieant, is the exhibit currently on display in the gallery space at the Paul Smith’s College VIC. There will be a “Meet the Artists” reception on Sunday, Nov 2, from 2 – 5 and the exhibit will be up through Nov 21.
I first met Karla nearly twenty years ago. We both were volunteering at the Paul Smith’s College VIC, working with area art teachers and taking students out on the trails to do nature observation and sketching. I didn’t really know her very well, but when I saw her photographs, I could tell we felt the same reverence for the Adirondack landscape. Flash forward to 2014. I contacted Karla and asked if she would like to do a month long exhibit with me at the VIC and she agreed. When asked if we should have some kind of theme, I don’t remember which one of us suggested “rocks”, but the other eagerly agreed. » Continue Reading.
Saranac Lake watercolor painter Tim Fortune led a large gathering of aficionados through the “walkabout” at the annual Adirondacks National Exhibition of American Watercolors (ANEAW) at View in Old Forge on Saturday. This is the 32nd year of the show, which has grown to be one of the most respected and best attended in the country. Artists from all across North America make summer pilgrimages to participate and to see the opening.
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When people go out for a hike, paddle, or ski, there are a number of different ways they experience the environment. They are likely to be observant, but the hiker may be focused on the route and watching for trail markers; the paddler watching for rocks, rapids, and where the carries are; and the skier alert to obstacles and those pesky trees at the bottom of hills where there is a sharp turn. A photographer looks for composition, lighting, texture. A birder will listen and look for movement in the trees.
The plein air artist has an entirely different outdoor experience. » Continue Reading.
Two weeks ago I was able to attend a plein air painting event in the Finger Lakes area – where artists seek out scenic spots and paint outdoors, on location. Being an Adirondack artist, I chose to avoid the busy vineyards, docks and sailboats on Canandaigua Lake and spent my time finding trails and wilder views to paint. The landscape there was very scenic, yet I learned it was very different from the Adirondacks.
The first day I painted, I’d done some prior internet research and had directions to a place called ‘Bare Hill”. The Finger Lakes are long, glacier carved gouges in the earth embraced by high ridges and flat topped hills at the southern end. Bare Hill was one of these, it’s steep slopes wooded down to the water, but the top was clear. A sign indicated according to Seneca legend it had been an early settlement. I wandered around, eventually painted a view of the lake, and never saw another person. I sensed it was a very spiritual place for the native peoples. » Continue Reading.
As odd as the name sounds – like it must be some kind of misprint from Facebook – “Social Faceworking” is a dynamic, exciting exhibit of the works of 19 creative individuals, with 170 connections between them, at the Lake Placid Center for the Arts. It will be on display until February 11.
Organized by Nip Rogers, Lake Placid artist and designer, the main connection is that Nip is friends with all these artists and has created a unique portrait of each one. Each artist has their own exhibit area which includes their own work. The portraits hang throughout the gallery. It’s up to the viewer to make the connections.
Quoting from the exhibit program “with the advent of social networking, it has become easier for artists to come together and share work and inspiration online”. Just think of what these advancements in communication have done for artists. It wasn’t that long ago that working artists often felt they lived and worked in isolation – that’s the stereotypical image of the artist, working away alone in their studio. Probably with weird personality traits and anti-social behavior. When an artist attended an exhibit or hung out in a coffee shop, they might meet and interact with other artists. In between those events maybe they wrote letters or talked on the phone. Or not.
Fast forward to 2012. Artists have web sites where they post images of their work to share with the world – not just discreetly showing their friends at the coffee shop They write and illustrate blogs where anyone can go online and see just exactly what their favorite artist is currently working on. Or maybe you can find a YouTube video of the artist actually at work! Or a Tweet! When I am out plein air painting I often take a photo with my smart phone and post it directly onto my Facebook page – “here is what I’m working on right now”. Artists can have fans and patrons without ever having even met them in person! A finished work of art doesn’t have to wait for the paint to dry, the frame to be put on, and months or years for a gallery owner to propose an exhibit – it can go on display online in an instant.
The immediacy and world wide connectivity that artists have right now is both changing the image of the artist and is probably affecting changes in what they create. Artwork is no longer subject to being hidden away in a closet until the artist is “discovered” – or dies. For artists in the Adirondacks, there is no longer any reason to feel isolated – unless you want to be.
“Social Faceworking” taps into all this connectivity and instantaneous sharing that exists via the internet. There’s even a Facebook page for it! The variety in techniques, subject matter, and style are fun to see and surely will provoke some critical thinking. Participating artists are: Andrew Dehond, William Evans, Brooke Noble, Cal Rice, Carol Vossler, Charles Stewart, CJ Dates, David Fadden, Eric Ackerson, Jenny Curtis, John Ward, Ken Wiley, Peter Seward, Sandy Edgerton Bissell, Sara Mazder, Shaun Ondack, Susan Stanistreet, Vicki Celeste, and Nip Rogers.
The Lake Placid Center for the Arts is located at 17 Algonquin Ave. Gallery hours are Tues. – Thurs. 1 – 5, Fridays 1 – 9, and it’s usually open when there are other performances or events. 518-523-2512.
Please join us in welcoming our newest contributor here at Adirondack Almanack, local artist Sandra Hildreth. Sandy, who will be writing regularly about Adirondack arts and culture, grew up in rural Wisconsin and is a retired high school art teacher ahving spent 29 years with the Madrid-Waddington School District in northern New York.
She moved to Saranac Lake in 2004 to live where she was spending much of her time anyway – hiking, paddling, skiing, and painting. Today, Sandy spends much of her time Plein air painting – working outdoors from nature as an exhibiting member of the Adirondack Artists’ Guild in Saranac Lake. She is also active in Saranac Lake ArtWorks.
What follows is a guest essay by Sandra Hildreth, a member of the Adirondack Artists’ Guild. The Guild is a cooperative retail gallery with 14 member artists, located at 52 Main St. in Saranac Lake. Gallery hours are 10 – 5, Tues – Sat, and 12 – 3 on Sundays. 518-891-2615.
The current featured artist exhibit at the Adirondack Artists’ Guild in Saranac Lake could easily be a lesson in art history. Nancy Brossard is a well known local artist who lives between Tupper Lake and Childwold. Brossard primarily paints Adirondack landscapes in the tradition of “en plein air” artists, that is, outdoors, on location. Her works interpret the environment in wonderful animated brushstrokes, reminiscent of some of the French Impressionists, but faithful to the Adirondack views they portray.
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So often you hear about how the arts support a community, but what does that actually mean? In Saranac Lake, NY, the burgeoning Adirondack arts community, it means a check for $2000 from Saranac Lake ArtWorks—a collective of independent art galleries and the Adirondack Artists Guild (of 14 artists), the Pendragon Theatre, and local arts businesses working together to promote local artists—to Historic Saranac Lake.
For the third year, Saranac Lake Art Works has raised money through their annual Adirondack Plein Air Festival to give back to the community. The Adirondack Plein Air Festival, held in mid-August, has become a well-known event in the Adirondack region, drawing artists from all over the east coast.For 4 days, artists can be seen at their easels all over the countryside, and for one of those days, they Paint the Town, in miniature, using 5×7 canvasses that are exhibited at the end of the day for a silent auction. The artists each donate one of their paintings to ArtWorks, and the proceeds are used to support other organizations in Saranac Lake.
Each year, the amount has grown, starting with $1000 raised in 2009 for the Saranac Lake Young Arts Association. In 2010, they gave $1200 to help BluSeed Studios, and this year they brought in $2000 for Historic Saranac Lake for their attention to documenting the history of the cure cottage architecture unique to this town.
Throughout the year, Saranac Lake ArtWorks continues to promote local artists and to hold events that bring tourists up to their little village on Lake Flower. In December they will be holding the Art for Under $100 Sale, which provides the unique opportunity to purchase valuable artwork from the local talent at a very good price.
Photos: Above; a painting donated by Sandra Hildreth for the 2011 Paint the Town event.
Linda J. Peckel explores the Adirondacks by following the arts wherever they take her. Her general art/writing/film/photography musings on can be found at her blog Arts Enclave.
The Adirondacks are unique in many ways, not the least of which is the kinds of museums that emerge there. In 1957, the Adirondack Museum first opened at Blue Mountain Lake, graced with a spectacular vantage point on the lake below, and a mission to provide the narrative history of the Adirondacks through its art and artifacts.
In July of 2006, the Wild Center opened in Tupper Lake, with innovative design and exhibits that integrate the science and beauty of nature in one place. The Wild Center, billed as the “natural history museum of the Adirondacks” has been extremely successful since opening, and continues to add exciting new exhibits each year.
And in a truly inspiring stroke of recent good fortune (or maybe just good karma), these two museums were each bequested $2.4M from the estate of the late LiLinda Kent Vaughan, a member of both museums, and a long-time summer resident of Long Lake. Coming at a time when many museum funding sources have run dry, these generous gifts present an especially welcome and much-needed boost to the museums’ futures.
Dr. Vaughan was a Professor Emerita of the Department of Physical Education and Athletics at Wellesley College in Wellesley Ma, where she had led the department from 1973 to 1990 as chairperson and director. She held both B.S. and M.A. degrees from Russell Sage College, where she received the Aldrich Award for Proficiency in Sports. and received her Ph.D. in Physical Education from Ohio State University.
Throughout her distinguished career, Dr. Vaughan wrote numerous papers in her main field of sports psychology, and in 1970 co-authored the book (with Richard Hale Stratton) Canoeing and Sailing, a second version of which was published In 1985. Her appreciation for the wildlife in the Adirondacks and her love of the sporting opportunities also led her to develop an understanding of the environmental issues in the region.
An avid photographer in her spare time, Dr. Vaughan traveled extensively throughout the world photographing nature, and held a one-woman show at the Blue Mountain Center of wildlife captured on trips to Africa, Alaska and Antarctica. In a fitting culmination to her many lifetime accomplishments, the work of Dr. Vaughan lives on through the legacy she leaves to the two museums she supported in life.
Together, the Adirondack Museum and the Wild Center are instrumental in promoting the need for environmental protection of one of the last truly untouched frontiers in America. And they’re just plain fun to visit. Make sure to plan your next trip soon.
Photos: Above, view of Blue Mountain Lake from the cafe of the Adirondack Museum (photo by Linda Peckel); below, Trout Stream in the Hall of the Adirondacks at the Wild Center, and View of the Wild Center (Courtesy Wild Center).